How AI has turned what was once a superpower into a liability.
How the Anthropic saga could threaten American AI dominance
The shutdown of top AI models reverberates abroad.
The Age of Wonders and Terrors
Twenty years ago, when the idea of AI taking over the world in our lifetimes still struck most of us as the unconstrained fantasy of those who knew too much science fiction and too little science, …
Trusting your own judgement on ‘AI’ is a huge risk
Writing at the end of the world, from Hveragerði, Iceland
"I was forced to use AI until the day I was laid off." Copywriters reveal how AI has decimated their industry
Copywriters were one of the first to have their jobs targeted by AI firms. These are their stories, three years into the AI era.
Responsible AI
Discover how AWS is committing to developing AI responsibly – to built trust, promote the safe development of AI, and act as a force for good.
The Real Existential Risk Is AI CEOs Avoiding Oversight: “Alternative Nobel” Winner Timnit Gebru
We speak to the prominent AI researcher and leading critic of the AI industry, Timnit Gebru, who was recently awarded a 2026 Right Livelihood Award for her work investigating the harms and hype behind the global buildup of artificial intelligence. “Instead of discussing faulty, unreliable systems,” Gebru says tech leaders like SpaceXAI’s Elon Musk, OpenAI’s Sam Altman and Anthropic’s Dario Amodei are “marketing their systems as all-knowing, superpowerful, superintelligent,” and lobbying for “self-policing and self-regulation” to avoid being held “liable through existing laws.” Gebru expresses skepticism over increasingly widespread claims that AI algorithms pose an existential risk to humanity, warning that such claims are overblown and that “what is actually happening is regulatory capture.”
The Scaling Era: An Oral History of AI, 2019–2025
An inside view of the AI revolution, from the people an…
The Scaling Era: An Oral History of AI, 2019–2025
An inside view of the AI revolution, from the people and companies making it happen.
AI, Ethics, and Society — Home
Your Favorite Science YouTubers Are Wrong About AI, (e.g. SciShow, Kurzgesagt, and Kyle Hill )
AI and the Fall? of the Creative Class
America is Losing Hundreds of Thousands of Jobs in Media, Film & the Arts. How Much is AI to Blame?
How Shifting Responsibility for AI Harms Undermines Democratic Accountability | TechPolicy.Press
The moralization of individual AI use deflects responsibility away from powerful actors like corporations and governments, Suvradip Maitra and others write.
AI FOR EPISTEMICS & COORDINATION
Civilization and technology have radically improved the human condition. Nonetheless, the world sometimes goes in directions which essentially nobody would prefer — e.g., nuclear arms races, unexpected financial crashes, predatory marketing, or ubiquitous political misinformation.
AI Safety Is a Narrative Problem · Special Issue 5: Grappling With the Generative AI Revolution
This op-ed explores power and narrative dynamics around AI. Drawing on pop-culture references, the professional experiences of the author and examples from 2023’s “Great AI Safety Hype Roadshow,” this piece draws on the literary criticism technique of practical criticism to consider how speeches and announcements from both Silicon Valley executives and research scientists to interrogate the media-friendly nature of p(doom) discourse—which focuses on the existential risks of AI (PauseAI, 2023)—and its likely consequences. The complexities of AI and its numerous social impacts can be difficult for even the most expert analyst to unpack. In spite of this, the potential of “existential threats” has successfully cut through to become a mainstay of mainstream media coverage over the last year. This piece will make the case that this is an effective narrative conceit that has achieved a number of ends that traditional science communication tends to find difficult, if not impossible, to achieve. Firstly, it is easy to understand. Simplification of this nature—that removes jargon and complexity and focuses on a single outcome—is much easier to fit on a TV rolling news ticker or on the cover of a tabloid newspaper than more well-balanced, representative opinions. Secondly, it inherits prior assumptions from well-known dramatic forms. P(doom) plays to stories familiar from Greek tragedy through to Marvel movies, in which lone male heroes battle ineluctable forces. Thirdly, it is imbued with urgency and so becomes difficult to ignore.
