Lua, a misunderstood language • AndreGarzia.com

The Programming Language Lua

Official website of the Lua language

Lua

Lua is a general-purpose high-level language created since the 1990s at PUC Rio de Janeiro.

Lua can be a really cool HTML templating engine

It’s a pretty cool language. It is also one of my favourite programming languages, for which I made a case in a past blog post.

Luan Uchoa

Conheça Luan Uchoa no Catarse.

Experience Localization: What Non-English Communities Actually Need from ATProto - Nightflight

A specification request from the second-largest language community on Bluesky

Paginei

Sua rede social literária

italki - Best language learning app with certificated tutors

Discover a world of languages with italki. Learn over 150 languages including English, Spanish, French, Chinese, etc. with professional online tutors.

Eleitores gerados por IA fazem campanha no TikTok e põem em xeque regra do TSE

Ao menos 50 vídeos simulam entrevistas e depoimentos sobre os dois principais candidatos da corrida presidencial deste ano: Lula (PT) e Flávio Bolsonaro (PL).

First Languages AI Reality | Mila

The FLAIR initiative aims to develop a method for the rapid creation of customized ASR models for Indigenous languages.

I Learned to Speak Four Languages in a Few Years: Here's How

Lifehacker reader Gabriel Wyner was tasked with learning four languages in the past few years for his career as an opera singer, and in the process la

Remote Origins: Translation, Genealogy, and Alterity in Medieval Castile (1252-circa 1390)

This dissertation analyzes selected examples of thirteenth- and fourteenth-century written culture to show their engagement with the religious alterity of Islam as an integral part of the origins of the kingdom of Castile. Following an interdisciplinary methodology, it addresses how medieval ideas about astrology, geography, history, medicine, race, and religion participated in creating discourses about origins that recognized the intellectual and political authority of al-Andalus. It argues that early Castilian vernacular texts conceptualized the translation of Arabic sources as an instrument for creating, transforming, and superseding the alterity of Islam while recognizing the cultural and political authority of Andalusi traditions. The first chapter serves as an introduction explaining the historical and theoretical framework of the dissertation. To do so, it provides an overview of Castilian ideas about genealogy, historiography, authority, and translatio, and translation. Then, through close reading and ample historicization, chapters two, three, and four analyze the impact of Andalusi textual traditions, cultural practices, and human population in three interrelated fields of medieval science, literature, and history. Chapter 2 explores the political implications of King Alfonso X’s (r. 1252-1284) dedication to the translation of Arabic sciences by focusing on the translation of a treatise of astrology titled Libro de las cruzes (1259). The chapter traces the cultural and political context that accompanied the transmission of the book in al-Andalus alongside the content of its Arabic and Castilian prologues. In light of ideas about the transference of knowledge (translatio studii) shared by Christian and Muslim scholars, I conclude that deployment of a twofold origin in the Libro de las cruzes illustrates the strategies and motivations of Alfonso X’s broader engagement with Arabic sources. The third chapter turns to the early fourteenth-century romance Libro del caballero Zifar with a double focus on its forged origin as a translation from caldeo (Chaldean) and the prominence of cursed lineages. Regarding lineage, the chapter explores the representation of exemplary virtues by the protagonists of the romance as enacting ideas about the transformable character of lineage and the capabilities of the individual to unmake inherited negative traits. Likewise, the textual strategy of the forged translation enables the inclusion of Arabic and Asian referents at the origin of a profoundly Christian text. In chapter 4, literature meets historiography in the analysis of the Crónica de Flores y Blancaflor. Being the result of intertwining a Castilian chronicle—Alfonso X’s Estoria de Espanna—and a French romance, this text narrates the love story between an Andalusi Muslim prince and the daughter of a captive Christian noble. The chapter focuses on Berta, the captive woman, to show the implications of her decision to nurture Flores and Blancaflor with her milk. Considering Christian and Muslim ideas about milk and wet nursing along with the tenets of Castilian historiography, the chapter shows the limits of dominant ideas about dynastic origins among the Christian elites of Castile while evidencing the existence of an alternative discourse that—coming from within Castilian historiography—incorporates maternal and non-Christian kinship as an essential part of the origins and possibilities of the kingdom. A short final chapter serves as a conclusion, suggesting paths for expanding the results of this dissertation within and the thirteenth and fourteenth centuries covered by its contents.

Everything I Love | Chia Amisola

Chia Amisola is devoted to the internet's loss, love, labor, and liberation, particularly of the third world experience. An artist & technologist, they unravel systems and narratives that condition & emerge from technology, and the intimacies & infrastructures beneath them. Their 'internet ambient' works build dense, durational, hypertextual worlds that entangle Philippine specificity and universal conditions.

Everything I Love | Chia Amisola

Chia Amisola is devoted to the internet's loss, love, labor, and liberation, particularly of the third world experience. An artist & technologist, they unravel systems and narratives that condition & emerge from technology, and the intimacies & infrastructures beneath them. Their 'internet ambient' works build dense, durational, hypertextual worlds that entangle Philippine specificity and universal conditions.

Everything I Love | Chia Amisola

Chia Amisola is devoted to the internet's loss, love, labor, and liberation, particularly of the third world experience. An artist & technologist, they unravel systems and narratives that condition & emerge from technology, and the intimacies & infrastructures beneath them. Their 'internet ambient' works build dense, durational, hypertextual worlds that entangle Philippine specificity and universal conditions.