







In 1973, 15-year-old William Miller's unabashed love of music and aspiration to become a rock journalist lands him an assignment from Rolling Stone magazine to interview and tour with the…
"Last night I got an email from someone who said 'I'm 46, is it okay to start producing music?' I said 'yes, start now!'": How a 67-year-old pensioner went viral performing industrial techno at home
What started as a post-retirement hobby has led The Last DJ to runaway success and his first gig in 40 years. Now he's on a mission to inspire others to do the same

An Interview with Robert Frank - "If An Artist Doesn't Take Risks, Then It's Not Worth It." (2007)
An Exclusive Interview with Robert Frank, Robert Frank’s Studio, New York, July 22, 2007

Not a genuine black man : my life as an outsider : [a true story] : Copeland, Brian
xviii, 245 pages ; 23 cm

The Rise of Alt-Pop Stars
Welcome to a messier and more daring era of pop music.

J Dilla's Influence And Legacy Lives On In The World Of Lo-Fi Hip-Hop
J Dilla's music has been adopted by the lo-fi hip-hop community; now fans of the subgenre consider him the godfather of lo-fi hip-hop.

“I Made Myself Fit In”: Johny’s Story
The purpose of this narrative inquiry was to re-story the experiences of a first-year music teacher with regard to race and class. Johny was a first-year high school guitar teacher in the southwestern United States who identified as Hispanic and was raised in a family with a lower income. He was also a first-generation college student whose path to university study was atypical because of his major instrument, musical background, little high school music class participation, and entrance to postsecondary music study at a community college. Johny’s story is a work of critical storytelling and is interpreted through an intersectional framework. His story compels us to thoughtfully attend to curriculum, musical knowledge, equity, and how music educators can serve an increasingly diverse student population in schools of music. Issues for consideration include (a) increased support of nontraditional students, including those from marginalized populations, such as students with lower incomes, first-generation students, and community college transfer students, and (b) promoting meaningful and collaborative change across multiple areas in schools of music.

Sad YouTube: The Lost Treasures Of The Internet's Greatest Cesspool
<b>"I would like to send you a memory."</b> Buried deep within the internet's most notorious comment section lies a treasure trove of personal stories that prove the power of pop music better than any video ever could.

John Dewey
John Dewey was an American philosopher, psychologist, and educational reformer. He was one of the most prominent American scholars in the first half of the twentieth century.
John Handy - Recorded Live At The Monterey Jazz Festival (Full Album)
Interview with James Murphy
Had the incredible honor of interviewing another hero of mine. Below, some questions with legend and fellow synth enthusiast James Murphy. Synth History: What are a few of your all-time favorite synths? James: I go through phases in some ways, but there are a few that have been long standing essentials for me. First has to be the EMS Synthi A. LCD Soundsystem - Someone GreatI got one of these back in '98 on the recommendation of either Tim Goldsworthy or Jagz Kooner to use on a David Holmes re

The age of average — Alex Murrell
In the early 1990s, two Russian artists named Vitaly Komar and Alexander Melamid hired a market research firm to survey the public on what they wanted in a work of art. Across 11 countries they then set about painting a piece that reflected the results. Each piece was intended to be a unique a colla

White Rabbit
The Mythos of the Electronic Revolution
JAMES W. CAREY, JOHN J. QUIRK, The Mythos of the Electronic Revolution, The American Scholar, Vol. 39, No. 3 (Summer, 1970), pp. 395-424
10,000 Chicago Concert Recordings Are Being Uploaded to the Internet Archive: Nirvana, Phish, Sonic Youth, They Might Be Giants & More
Perhaps you've had the experience of moving to a new city and immediately being told that you've missed its golden age of live music. To an extent, this has happened in more or less every period of the past fifty or sixty years.

Moondog
Louis Thomas Hardin, known professionally as Moondog, was an American composer, musician, performer, music theoretician, poet and inventor of musical instruments. Largely self-taught as a composer, his prolific work widely drew inspiration from jazz, classical, Native American music which he had become familiar with as a child, and Latin American music. His strongly rhythmic, contrapuntal pieces and arrangements later influenced composers of minimal music, in particular American composers Steve Reich and Philip Glass.
