Carnatic music

Hindustani classical music

Hindustani classical music (also known as North Indian classical music or Shastriya Sangeet) is the classical music of the Indian subcontinent's northern regions. It is played on instruments like the veena, sitar and sarod. It diverged in the 12th-century from Carnatic music, the classical tradition of southern India. While Carnatic music largely uses compositions written in Sanskrit, Telugu, Kannada, Tamil, Malayalam, Hindustani music largely uses compositions written in Sanskrit, Hindustani (Hindi-Urdu), Braj, Awadhi, Bhojpuri, Bengali, Rajasthani and Punjabi.[1]

RND synth — cyma forma

RND synth is a collaboration between cyma forma and french artist Bambounou, built around a single idea: stop playing, start listening.

Mino Music — ATProto Composer

Synaesmedia

© Copyright Phil Jones. All Rights Reserved, but most software referenced here is GPLed or otherwise Free Software, and where possible music is released under a Creative Commons license (but check individual tracks for confirmation)

PlantWave

Listen to plant music with PlantWave! Tune into nature and hear plants make music.

Keelemudelite mõõdupuu

Sõltumatu hindamisraamistik, mis mõõdab suurte keelemudelite võimekust eesti keeles. Vaata mudelite pingerida kuue võrdlustesti põhjal.

Bhimpalasi

Bhimpalasi or Bheempalasi (also known as Bhimpalas or Bheempalas) is a Hindustani classical raga. The Carnatic Music equivalent of this raga is Abheri.

Music has Meaning

The social platform for discovering music, collecting tracks, and supporting artists directly. Only verified artists post.

From Prompting to Describing: A Cross-Cultural Study of Language for AI-Generated Music

Recent text-to-music (TTM) systems such as Suno [22], Udio [23], and Google’s MusicFX [7] allow users to generate music from a natural language prompt, lowering the barrier to music creation for users without specialized musical knowledge [27]. Understanding how users write these prompts is therefore a fundamental question for music information retrieval and human-AI interaction research. Yet, prompting a generative system is not the same cognitive or linguistic act as describing music one has heard [12]. When a user writes a prompt, they encode anticipatory intent to steer the system toward a desired or imagined output, whereas when a listener describes a piece of music, their language is grounded in a perceptual experience. We argue that these two acts produce systematically different language—a distinction that, despite being intuitive, has not been quantitatively examined. This gap has practical consequences: recent TTM models are trained predominantly on metadata-centric corpora (genre labels, BPM, descriptive tags) [6] rather than on the kind of language users naturally produce when listening, leaving the prompt-description gap unexamined. Moreover, this gap limits our ability to evaluate and improve human–AI interaction in music generation, as current systems are optimized for prompt input but commonly assessed through human perception.

Malachite

Import your music listening history into Teal on ATProto — Last.fm, Spotify, Apple Music, YouTube Music, or ListenBrainz. Free, open-source, runs in your browser.

Music Enthusiasts [Indonesia] | [Posting ulang] | Facebook

[Posting ulang] Utk kawan-kawan di sini yg mau dengerin jazz menurut sub-genrenya atau yg mau mempelajari jazz bisa gunakan 2 aplikasi yg saya pakai seperti yg ada di gambar. Untuk aplikasi yg...

Susie Ibarra: Hybrid Culture - New Music USA

Susie Ibarra's collaborative approach has informed her work with jazz, classical, indie rock, and traditional Philippine musicians.

Kafi (thaat)

Kafi is one of the ten basic thaats of Hindustani music from the Indian subcontinent. It is also the name of a raga (Kharaharapriya) within this thaat.

Malleable Music Ensembles

A framework using generalized algebraic theories and categorical lenses to enable interoperable, local-first networked music ensembles.