







I discovered that trying to write one big blob does not work for me. I can get as far as 2000 words before the volume overwhelms. As with many things in life, breaking it down into pieces helps a lot! This is where most outlining writers suggest a big bulleted
How to write Medium stories people will actually read
More than 30 million people use Medium each month. They come here in search of something worth reading. Something substantial. And you can give it to them. Medium’s algorithms put you on a level playing field. Your stories can dominate news feeds. Yo...


MATT THOMPSON
As part of my EngD project, I am creating ways for story authors to easily write narratives with multiple branches, along the lines of the Choose Your Own Adventure stories from the 1990s. Typically, this kind of story authoring is hard, as the number of material that needs to be written increases exponentially with the number of decision points.
Writing is Thinking: Learning to Write with Confidence
Learning to write is learning to think, because writing is thinking. They are two peas in a powerful pod. This article goes over my writing process, focused on minimizing the activation energy to get started.

The Delightful Storybook Workflow
How productive teams get the most out of Storybook

Creative Reading: Scaffolding Reading for Transformation
However, recent work on augmenting reading largely focuses on making reading more efficient, especially in knowledge-intensive contexts where people must rapidly make sense of research papers and other complex documents (Lo et al., 2024). These systems often aim to help readers skim, summarize, and synthesize large volumes of information in order to reduce cognitive effort and accelerate document- and corpus-level sensemaking at scale (Gu et al., 2025; Lo et al., 2024; Fok et al., 2023). At one extreme, the form of reading implicitly envisioned by these systems may resemble what we call “reading to discard”: extracting the essential, actionable informational core of a document as quickly and efficiently as possible, so that the rest can be swiftly tossed aside—much like we often process inbound mail. This motivates us to ask what scaffolding approaches might resist “reading to discard,” what alternative forms of reading we might scaffold, and what alternative views and values of reading might guide the conversation.
Writing Is Thinking
When you write about your work, it makes all of us smarter for the effort, including you. Done well, this kind of sharing means you’re contributing signal, instead of noise. But writers are made, n…

The Anatomy of Story
”The Anatomy Of Story is concrete and practical without resorting to simplistic ‘Three Act Structure’ screenwriting clichés. It will be an indispensable guide to writing your first great script.” —Larry Wilson, co-writer /co-producer of Beetljuice and co-writer of The Addams Family THE ANATOMY OF STORY 22 STEPS TO BECOMING A MASTER STORYTELLER Faber & Faber launches John Truby’s The Anatomy of Story: 22 Steps to Becoming a Master Storyteller—a new Bible not just for screenwriters, but for any writer crafting the perfect story. Taking as his examples Jaws, Adventures of Huckleberry Finn, Tootsie, The Great Gatsby, The Godfather, Chinatown, and A Christmas Carol, among many others, Truby illustrates in The Anatomy of Story (Faber & Faber/Farrar, Straus and Giroux) what makes a great story and how to create that story, focusing on plot and premise, theme, characters, moral development, and crafting the kind of ending that brings readers and audiences back again and again. Additionally, Truby offers seven key story structure steps, which are the major stages of a story’s development and of the dramatic code under its surface. The Anatomy of Story is a step-by-step guide to constructing the best story possible—be it a screenplay, short story, or novel. Truby, who has taught his twenty-two-step Great Screenwriting and Genre classes to more than 20,000 students worldwide, is available to discuss: Top 10 mistakes writers make about story. Five best and worst questions about screenwriting. How the 22-step-approach is different from the 3-act structure. Five unique story elements of blockbuster films. Five best techniques of character and plot. John Truby is Hollywood’s premier story consultant and founder of Truby’s Writers Studio. He has worked as a story consultant and script doctor for Disney Studios, Sony Pictures, FOX, and HBO, among others. Booklist “ Hollywood story consultant Truby commits his vast knowledge of screenwriting and storytelling to the page in this handy guide for aspiring writers of all types. Truby delves into the setup, from basic structure to the premise and the depth behind it. From there, he moves into character, emphasizing the importance of not only the hero but also the characters in the story who aid and oppose him. Truby illustrates the importance of setting to the story and how careful plotting is needed to weave the elements of the story together. He cautions that plot is not incidental and requires careful management and timely revelations. Although most of his examples are from movies, such as Tootsie, The Godfather, and Star Wars, Truby also draws from novels and plays, and his advice is applicable not only to the hopeful screenwriter but to the aspiring novelist as well. A comprehensive guide to writing stories of all kinds, Truby’s tome is invaluable to any writer looking to put an idea to paper.” —Kristine Huntley Tweet

Toward a durable writing stack – Writings and rehearsals by Nathan Schneider
I have benefited over the years from others who have documented their writing setups, and so I feel some obligation to pay the favor forward by doing so with my own. The stack I’ll describe here is one I’ve been iterating on for about twenty years, starting from when I began discovering the pleasures of plain-text writing. Every aspect of it has changed over that period, but the some basic goals and flows have been with me through the writing of my college thesis, five books, and hundreds of articles. I am quite happy with where I am, and others might benefit from what I’ve come up with.

Minimum Queue Publishing - Wesley's notes
A strategy for writing more often without losing momentum
if you've never written an essay for fun, you're making yourself dumber
21 Very Short and Addicting Stories You Can Read Online
It can be extremely hard to find time to read these days. With our lives cluttered with work, school, life, and new amazing episodes of…

The Golden Rule for Becoming a Better Writer - T.R Napper
I’m obsessed with the craft of writing. I write every day, I read about the craft often, and in my...

How do LLMs affect writing? Talks by visitors to the AI STORIES project | UiB
The AI STORIES project is hosting a day of research talks focused on analysing AI-generated writing, with approaches ranging from the qualitative analysis of a professor of writing to large-scale computational analysis finding that prompting an LLM to edit a text to improve its grammar leads to significiant shifts in meaning.

On Writing #3
Periodically I like to gather various observations about writing, and share my perspective.
