







The Social Meaning of the Personal Computer: Or, Why the Personal Computer Revolution Was No Revolution
This essay presents a processual model of the personal computing movement that depicts the PC's birth within the context of complex and often contradictory social strategies, each of which used the meaning of computer technology in a distinctive way. It suggests that innovators are constrained by such processes to depict new artifacts in culturally meaningful ways, so that it is difficult for them to conceive of their technologies in radical terms. The rhetoric of "revolution" aside, innovators found it expedient to draw from the stock of meanings at hand as they created new meaning-frameworks for their artifacts. The result is that the new artifacts did not express a coherent or effective political vision and failed to have the intended social effects. This study implies that new technologies frequently reproduce existing social and meaning systems; if they do bring about social change, the changes may differ from those intended by the innovators.
The Social Meaning of the Personal Computer: Or, Why the Personal Computer Revolution Was No Revolution
This essay presents a processual model of the personal computing movement that depicts the PC's birth within the context of complex and often contradictory social strategies, each of which used the meaning of computer technology in a distinctive way. It suggests that innovators are constrained by such processes to depict new artifacts in culturally meaningful ways, so that it is difficult for them to conceive of their technologies in radical terms. The rhetoric of "revolution" aside, innovators found it expedient to draw from the stock of meanings at hand as they created new meaning-frameworks for their artifacts. The result is that the new artifacts did not express a coherent or effective political vision and failed to have the intended social effects. This study implies that new technologies frequently reproduce existing social and meaning systems; if they do bring about social change, the changes may differ from those intended by the innovators.
The Digital Sublime: Myth, Power, and Cyberspace
Interpreting the myths of the digital age: why we believed in the power of cyberspace to open up a new world.The digital era promises, as did many other te

Thoughts on Cyberpositionality: The Construction of Digital Communities in Digital Spaces, Damien Patrick Williams
I found Rebecca Monteleone, Martin Perez Comisso, and Elma Hajric’s “Cyberpositionality: Sociotechnical Location in the Digital Age” (2024) to be an extremely timely and important article which can…

Thoughtful, capable, and ethical computing ⋅ elementary OS
Thoughtful, capable, and ethical computing

Has technological innovation lost the plot? An interview with AI ethicist Dr. Shannon Vallor | Chicago Policy Review
Shannon Vallor is the Baillie Gifford Chair in the Ethics of Data and Artificial Intelligence at the Edinburgh Futures Institute (EFI) at the University of Edinburgh, where she is also appointed in Philosophy. Professor Vallor’s research explores how new technologies, especially AI, robotics, and data science, reshape human moral character, habits, and practices. She is […]

The Irrational Decision
How the computer revolution shaped our conception of rationality—and why human problems require solutions rooted in human intuition, morality, and judgment

Technocracy | The Paper Pilot
The Paper Pilot's digital garden of thoughts on philosophy, politics, and sociology
Humanism and artificial intelligence
If humanism was born with the alphabet in a literate environment and was reborn with the printing press, what becomes of it when digital technology becomes the dominant symbolic technology?

The Questions Concerning Technology
A set of 41 questions drafted with a view to helping us draw out the moral or ethical implications of our tools.

Cognitive Debt and ChatGPT
Maggie's digital garden filled with visual essays on programming, design, and anthropology

Good Robot
What is good technology? Is ‘good’ technology even possible? And how can feminism help us work towards it? The Good Robot addresses these crucial questions through the voices of leading feminist thinkers, activists and technologists. Each thinker provides a snapshot of key challenges, questions and provocations in the field of feminism and technology. While the question of whether various AI and technological advances can be ethical is not new, the embedded nature of feminist perspectives pulls out whether this perceived ‘goodness’ or ‘wrongness’ might actually impact our lives in the 21st century. This book explores both the radical possibilities of technology to disrupt practices of patriarchy, colonialism, racism and beyond but also provides a significant critique of how we can contain the ethical possibilities of entities we cannot predict. In exploring unjust technological practices and engaging critical voices in the tech industry, the existing moral issues are brought to light as well as the possible ethical quagmires. This book opens a new space of discussion on digital technologies – one that insists that the future of AI is an urgent feminist issue.

Technopoly: The Surrender of Culture to Technology
A witty, often terrifying that chronicles our transform…

The more we rely on tech, the more we deskill our bodies | Aeon Essays
We are, moment by moment, doing less sensing, navigating, remembering, walking, choosing, and attending

Pivot to People: It’s Time to Build the New Economy
Today’s calls for ethical, humane, responsible, regulated and beneficial technology, compounded with venture capital’s virtue signaling in…

Philosophy & Technology - This paper explores the ambiguous impact of new information and communications technologies (ICTs) on the cultivation of moral skills in human beings. Just as...
“The internet represents a closing of the parenthesis and a return to older models of understanding. Human consciousness in the digital age, which de-emphasizes the categorization that marked the age of print, makes us think in a way that is reminiscent of a medieval peasant.”
The Gutenberg Parenthesis
web.mit.edu