Turn your text into a retro-futuristic illustration
Free WordArt Generator - Create 90s Text Effects Online | Make WordArt
Free Online WordArt Generator - Create Nostalgic 90s Text Effects Instantly. No Photoshop needed! Download as PNG or use in iMessage, Google Docs. The original MS Office retro styles.
The Future of Text
We are a community dedicated to working on how we can better develop text to augment our capabilities and we invite you to join us. We believe that the potential of richly interactive text to truly augment how we think & communicate is massive. Text after all, is externalized symbols we can interact with to extend our mind’s reach. Therefore text is not just a medium, it is also a tool for thought, and we are looking Beyond Visual Range.
Retro 80s Seamless Pattern Background Stock Vector - Illustration of retro, pattern: 57384117
Retro 80s seamless pattern background. Illustration about retro, pattern, print, fashionable, hipster, fabric, element, backdrop, geometric, arty, graphic, ornament, background - 57384117
Sound & Vision
Explore the future of type with the Re:Vision 2025 typographic playground—an interactive showcase of emerging type trends. Dive in and shape the next wave of visual language.
Why we’re still obsessed with 90s aesthetics in 2026
Decoding the visual cycle: how tactile 90s aesthetics bridge the gap between sterile tech and human emotion in 2026.
How I Write Alt-Text - 12 Aug 2026 03:30 UTC
‘Alt-text’ is short for alternative text, and is used to convey the substance of visual content as text. It is important for people with visual disabilities, though is beneficial for a wide range of people. It is useful for low-speed connections where an image might not load, for searching for an image, for SEO/AIO/GEO, for cases where a link to an image is broken, for understanding context, and for a variety of other gains.
Thinking with Type
The essential and bestselling guide to typography from beloved design educator Ellen Lupton—revised and expanded to include new and additional voices, examples, and principles, and a wider array of typefaces. "Thinking with Type is to typography what Stephen Hawking's A Brief History of Time is to physics."—I Love TypographyThe bestselling Thinking with Type in a revised and expanded third edition: This is the definitive guide to using typography in visual communication. Covering the essentials of typography, this book explores everything from typefaces and type families to kerning and tracking to grids and layout principles.Ellen Lupton provides clear and focused guidance on how letters, words, and paragraphs should be aligned, spaced, ordered, and shaped. Historical and contemporary examples of graphic design show how to learn the rules and how to break them. Critical essays, eye-opening diagrams, helpful exercises, and dozens of examples and illustrations show readers how to be inventive within systems that inform and communicate.Featuring 32 pages of new content, the third edition is revised and refined from cover to cover: More fonts: old fonts, new fonts, weird fonts, libre fonts, Google fonts, Adobe fonts, fonts from independent foundries, and fonts and lettering by women and BIPOC designersIntroductions to diverse writing systems, contributed by expert typographers from around the worldDemonstrations of basic design principles, such as visual balance, Gestalt grouping, and responsive layoutCurrent approaches to typeface design, including variable fonts and optical sizes; tips for readability, legibility, and accessibility; and stunning reproductions from the Letterform Archive Thinking with Type is the typography book for everyone: designers, writers, editors, students, anyone who works with words on page or screen, and enthusiasts of type and lettering. Readers will also love Ellen Lupton's book Extra Bold: A Feminist, Inclusive, Anti-racist, Nonbinary Field Guide for Graphic Designers. Ellen Lupton is a designer, writer, and educator. She has written numerous books about graphic design, including Thinking with Type, Graphic Design Thinking, and Extra Bold: A Feminist, Inclusive, Anti-racist, Nonbinary Field Guide for Graphic Designers. She teaches in the Graphic Design MFA program at Maryland Institute College of Art in Baltimore (MICA), where she proudly serves as the Betty Cooke and William O. Steinmetz Design Chair. She is Curator Emerita at Cooper Hewitt, Smithsonian Design Museum in New York City, where her exhibitions included Herbert Bayer: Bauhaus Master and The Senses: Design Beyond Vision. Lupton loves reading, writing, teaching, and learning new things about design.
Amelia Wattenberger 🪷 on Twitter / X
exploring ways we can "step back" from text/code and make sense of it,the way do in maps or how we can "fit more" in our visual system, it just gets smaller and decreases resolution.here's a fun one: extract the main concepts and throw them on a sphere, keep spinning to go… pic.twitter.com/yzh42EcBTe— Amelia Wattenberger 🪷 (@Wattenberger) July 6, 2026
1960s Tech Commercial
BadAppleFont
It is possible to embed a animation into a font, with only a small amount of hacking
poetic web: unfolding spiral
'poetic web: unfolding spiral' is a non-linear text I wrote as part of my bachelor thesis at the HFBK Hamburg. Driven by curiosity about the poetic web, the object of the text rather became the opening of a reflective space, where I could touch on the constraints and possibilities of language, words, worlds, and their artifacts, relation and meaning-making, smoothness, attention, and agency, and see how subtle shifts in understanding allowed for words to restructure and new meanings to grow.
1-bit Hokusai’s ”The Great Wave” – Hypertalking
5 years ago I started a now completely stalled project (fingers crossed I can figure out how to restart soon) to draw all of Hokusai’s 36 views of Mount Fuji as 1-bit pixel art.
@eva.town hi! I really like what you did with hypertext.tv - how did you create that old school pixelated effect?
Hypertext TV
hypertext.tv