







Errands in uncharted territory, by Max Liani

Bret Victor - Stop Drawing Dead Fish
The cinematograph, the "noematograph," and the future of AI art
From the cinematograph to the "noematograph," the Hugh-winning author explores how technology has, and may still, breed new artistic forms.

GameSpot's SIMply Divine: The Story of Maxis Software
GameSpot action adventure driving puzzle role-playing simulation sports strategy hardware
Relics and Rarities
#784: The absurdity of the apocalypse
Plus: repayment avoidance, the death of “hello,” and a Cinderella story for the algorithmic era

Revenge of the Dilettantes
Book club and AI adventures, age of bespokeness, study groups, new rules of engagement

Revenge of the Dilettantes
Book club and AI adventures, age of bespokeness, study groups, new rules of engagement

ASCII art + permadeath: The history of roguelike games
Everything from Rogue to the Binding of Isaac.

A Showcase Of Caravan Sandwitch's Beautiful Art
We chat with art director Charles Boury about the game's various visual inspirations.

The Art Of Marathon
A look at some of the work that went into one of the coolest-looking video games in recent memory

Claude Fable 5 and new safety fables
One step further into the power politics of frontier AI systems.

In Depth: Miscellaneous
*this is a giant, everchanging collection of micellaneous tidbits about my life and career.* On The Moniker I had a habit as a kid of creating fictional enti...
The Qatsi Trilogy
A singular artist and activist, Godfrey Reggio is best known for the galvanizing films of The Qatsi Trilogy. Astonishingly photographed, and featuring unforgettable, cascading scores by Philip Glass, these are immersive sensory experiences that meditate on the havoc humankind’s obsession with technological advancement has wreaked on our world. From 1983’s Koyaanisqatsi to 1988’s Powaqqatsi to 2002’s Naqoyqatsi, Reggio takes us on a journey from the ancient to the contemporary, from nature to industry, exploring life out of balance, in transformation, and as war, all the while keeping our eyes wide with wonder.
