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Permacomputing Aesthetics: Potential and Limits of Constraints in Computational Art, Design and Culture · Ninth Computing within Limits 2023
Permacomputing is a nascent concept and a community of practice centred around design principles that embrace limits and constraints as a positive thing in computational culture, and on creativity with scarce computational resources. As a result, permacomputing aims to provide a countervoice to digital practices that promote maximisation, hyper-consumption and waste. It seeks to encourage practices as an applied critique of contemporary computer technology that privileges maximalist aesthetics where more pixels, more frame rate, more computation and more power equals more potential at any cost and without any consequences. We believe that such a critical practice can be relevant to artists, designers and cultural practitioners working with computer and network technology who are interested in engaging with environmental issues. This is particularly relevant given the tendency in art, design and cultural production to rely on tools and techniques designed to maximise productivity and mass consumption. In this paper, we argue for the potential of permacomputing as a rich framework for exploring creative design constraints building on a long history of applying constraints in art, design and cultural practices. Because of the need to reconfigure the modes of production and organisation within computational practices, this calls for a different understanding of aesthetics, one that goes beyond the formal evaluation of how things look, but addresses how aesthetics can also be systems of relations, sensing and making sense that are already present in the process of making. We will also discuss the challenges faced by permacomputing practitioners, such as the complicated link with retro-computing, post-digital culture and nostalgia, as well as the problem of constraints in relation to the aesthetisation of poverty, and more generally what it means to work with self-imposed limits in a more privileged socioeconomic context.

Aesthetics
Aesthetics[a] is the branch of philosophy that studies beauty, taste, and related phenomena. In a broad sense, it includes the philosophy of art, which examines the nature of art, artistic creativity, the meanings of artworks, and audience appreciation.
Permacomputing as a practice for digital Graphic Design
This project explores the application of Permacomputing principles in graphic design. Permacomputing represents a concept and community dedicated to promoting a more sustainable use of computer and network technology. The design principles of permacomputing, their origins and significance serve as a practical theoretical framework.
Interface Aesthetics: An Introduction
Rhizome champions born-digital art and culture through commissions, exhibitions, scholarship, and digital preservation.

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MET:Main Page - UBC Wiki
This Wikispace is a shared resource made available as an archived collection of wiki entries from previous iterations of the course. The Media/Education/Design wiki takes the form of an online set of entries that follow the standard Wikipedia encyclopedia entry genre. Wikipedia represents an important contemporary example of how a specific medium and a particular environment intersect in such a way as to enable the most prolific and significant example to-date of public knowledge production that blurs the boundaries between producers and consumers. At present, the design Wiki is primarily text-based, with some entries incorporating photographs and links to outside media.
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The Oceanic provenance of Permacomputing and Computational poetics
Heritage Frontiers in Computational Art: The Oceanic provenance of Permacomputing and Computational poetics (2024) Nancy Mauro-Flude Keywords heritage algorithms, Oceana, codework, future heritage, technē, digital decolonisation, sandboxing, in-formal cultural economies, philosophy of technology, critical media theory. Citation: Mauro-Flude, N. (2024). Heritage Frontiers in Computational Art: The Oceanic Provenance of Permacomputing and Computational Poetics. Originally presented at ISEA, the updated version is available at Autoluminescence Institute. Initially presented June 26, 2024 at [ISEA2024](https://expertevents.
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