







Susie Ibarra's collaborative approach has informed her work with jazz, classical, indie rock, and traditional Philippine musicians.
Life Forms with Music: On Susie Ibarra — United States Artists
Anne Ishii on Susie Ibarra's impactful practice
Music Enthusiasts [Indonesia] | [Posting ulang] | Facebook
[Posting ulang] Utk kawan-kawan di sini yg mau dengerin jazz menurut sub-genrenya atau yg mau mempelajari jazz bisa gunakan 2 aplikasi yg saya pakai seperti yg ada di gambar. Untuk aplikasi yg...

REIMAGINING INCLUSIVE MUSIC EDUCATION: REFLECTIONS FROM A BLACK MUSIC EDUCATOR - ProQuest
Explore millions of resources from scholarly journals, books, newspapers, videos and more, on the ProQuest Platform.
Divining an Afrofuturist Music Education – ACT
Published in Action, Criticism, and Theory for Music Education 22 (4): 131–58. [pdf] https://doi.org/10.22176/act22.4.131
FWAAMFest
Tufara Waller Muhammad's presents her interactive session "Soundtrack of Resistance: Music and Social Movements in the U.S. South." Photo by Justin Ikpo.

Intersections in Music Education: Implications of Universal Design for Learning, Culturally Responsive Education, and Trauma-Informed Education for P–12 Praxis
To increase equity in music education, teachers can strive to know each student as a whole child, proactively remove barriers to learning, and seek to honor students’ multifaceted and intersectional identities. In this article, we first define intersectionality and examine demographics in music education. Then, we summarize three asset-based pedagogical approaches (Universal Design for Learning, Culturally Responsive Education, and Trauma-Informed Education) and synthesize their similarities. Finally, we present implications in the form of generative ideas for music educator praxis, or values-guided action. We hope our suggestions help music educators create music experiences where students (and families) feel seen, safe, welcomed, and valued as musicians and people. We also hope our suggestions can contribute to music teacher collegiality and collaboration by providing educators with tools to develop positive relationships with colleagues who are different from themselves.

ongaku.club - Discover Independent Music
Discover and stream independent music - Your gateway to underground albums, emerging artists, and hidden gems
Cantora
Fortuna’s musical trajectory is over 30 years long, throughout which he has built bridges connecting her music, Jewish roots, and several religions and cultures. Diversity is very present in the music of Fortuna.
Global mindset and music education: a comparison of curriculum documents in the United States and Spain
Over the past several decades, educational policymakers around the world have made changes based on three competencies they believe students will need to be successful in an increasingly globalized...

Why We’re Taking a Human‑First Stand on AI‑Generated Music — Qobuz Community
Artificial intelligence is transforming the music industry at an unprecedented pace. Faced with the explosion of AI-generated content and the legitimate questions it raises, Qobuz has chosen transparency. This charter establishes our framework: how we use AI, where we draw our lines, and what commi

GIRIC - Growing Intercultural Roots in Communities - an OPEN CALL
Actions for Growth: developing your practice within communities for artists, makers and practitioners. An Open Call for Artists, Creative and Cultural Practitioners.

[Interview] Snow J of Cheerful Music dives into the cross cultural intersection of AI and music – EARMILK
In conversation with Earmilk, Snow. J explores how AI has restructured the foundation of music culture, striking a balance between AI and human-made music as well as Cheerful Music's distinct approach to engaging AI technology in music making and marketing.

FELA KUTI Tribute Mix dj K.Mart by FELASOPHIA™
Fela Anikulapo Kuti (5 Oct 1938 - 2 Aug 1997), was a Nigerian multi-instrumentalist musician and composer, pioneer of Afrobeat music and human rights activist. In the 70's he formed the Kalakuta Republic, a commune, a recording studio, and a home for many connected to the band that he later declared independent from the Nigerian state. Fela set up a nightclub the Afrika Shrine, where he performed regularly. When he died of AIDS more than a million people attended Fela's funeral at the site of the old Shrine compound. A new Africa Shrine has opened since his death in a different section of Lagos under the supervision of his son Femi Kuti (track 14). This mix also includes a solotrack from his drummer Tony Allen (track 5), the collaboration with Roy Ayers (track 7) and a song by his other son Seun Kuti (track 10). 1. Let’s Start (Intro) 2. My Lady Frustration 3. Water No Get Enemy 4. Upside Down 5. Crazy Afrobeat (Tony Allen) 6. Open And Close (Billy Magic Edit) 7. 2000 Got To Be Black (Edit) (Roy Ayers & Fela Anikulapo Kuti) 8. Shuffering And Shmiling (Valenostrum Edit) 9. Safari Hari (Sample Shakara Olejé - Digi Onze) 10. Think Africa (Seun Kuti) / Roforofo Fight 11. No Possible (Joystick Jay's Vulgar Distractions Edit) 12. Sorrow Tears And Blood (Timmy Regisford Production) 13. Truth Don Die (Kerri Chandler's Dub Femi Kuti) 14. Zombie (Masters At Work) https://soundcloud.com/dj-k-mart/fela-kuti-tribute-mix


Susie Ibarra: Hybrid Culture - New Music USA
Life Forms with Music: On Susie Ibarra — United States Artists

Water Rhythms | Susie Ibarra
The sound of the trees

Dr. Dre and Jimmy Iovine Think A.I. Is Good for Music

The grueling fight over who profits from AI music

How Much AI Is in This Track? Quantifying the Proportion of AI-Generated Stems in Hybrid Music Mixtures

South Korea’s KOMCA ends ban on AI-assisted songs – false filings now risk royalty holds and contract termination - Music Business Worldwide
From Prompting to Describing: A Cross-Cultural Study of Language for AI-Generated Music

The Algorithmic Flattening of Sound: Computational Evidence and Justice Implications of AI Music Homogenization