







On a quiet night in the year 1996, 20-year old Alan is in his small apartment, about to make an important life decision. His thoughts are torn between the electronic music he makes with his computer and starting a career path with a computer software company.
"Last night I got an email from someone who said 'I'm 46, is it okay to start producing music?' I said 'yes, start now!'": How a 67-year-old pensioner went viral performing industrial techno at home
What started as a post-retirement hobby has led The Last DJ to runaway success and his first gig in 40 years. Now he's on a mission to inspire others to do the same

Sound Obsessed — collection
Deezer launches an AI music detector for other streaming services
Feed Deezer your playlists to find the AI slop.
Jeffrey Zeldman Presents - Underdubbed - glamorous
When my brother Pete and I were kids, and our parents were out of town, we ditched school for a week and cut an “album” by recording backing tracks to my dad’s reel-to-reel, then live overdubbing on different instruments and capturing the whole mess on a cassette recorder. We didn’t know what we were doing, […]

Ryan Singer on Twitter / X
A friend of mine needs software that is too high-stakes to vibe-code. I ended up giving him a primer on how to make progress on his idea before he hires a developer.Most of my friends on X are software devs, but I'm sharing this for anyone who's not. https://t.co/V1y2WagDnv— Ryan Singer (@rjs) September 25, 2026
Yuuki Matthews | HASU
A generative instrument and ambient music player that adapts to the time of day.
Light Box | About the Show and Mark Henry Phillips
Mark Henry Phillips has spent twenty years making music for a living. Light Box is his ten-part investigation into what AI is doing to the industry from the inside.

Sam Aaron Official: Instagram, Twitch, Twitter | Linktree
Live coding DJ. Creator of Sonic Pi. Coder, educator, PhD, artist.

Digital feeds, malnourished students — Phantom Power
Today we’re doing one of our occasional episodes where host Mack Hagood talks about a new essay he’s written for our newsletter “Feed Logic and the Failure to Thrive” Mack writes that students and professors are struggling, both academically and spiritually. He tries to diagnose the issue he felt in his classrooms this year and the role technology may play in it. For new listeners, Mack is a writer and researcher who studies sound, technology, and culture. He is the author of Hush: Media and Sonic Self-Control, a book on noise-canceling headphones, white noise, tinnitus, and the ways people use sound to manage modern life. He is currently writing a new book for Penguin Press, and he also hosts this podcast Phantom Power, where he interviews artists, scholars, musicians, and sound designers about the invisible power of sound in everyday life. Besides all that, Mack is a university professor and that’s what his most recent essay is about. Click here to read the newsletter for free. Cited Media: Film:Mary…
Track — AI-Powered Bluesky Monitoring
A dispatch from the dawn of the electronic music age | Aeon Videos
These days, synthesised sound is easy to access – but early electronic music pioneers had to get hands on to produce it

Deezer: AI-generated tracks now represent 44% of all new uploaded music - Deezer Newsroom
As the only streaming platform tagging AI-generated music, Deezer now reveals that nearly 75,000 AI-tracks are uploaded every day

I let AI control my computer.
“It’s unfamiliar, intimidating, and seemingly impenetrable for producers raised on DAWs like Ableton Live - but it can unlock a whole new world of creativity”: I tried a music tracker and it rewired my brain (in a good way)
Beloved by artists from Aphex Twin to Deadmau5, trackers swap the trusty piano roll for a text-based, vertically-scrolling interface that looks like something out of The Matrix. Let's find out how deep the tracker rabbit hole goes

Listen to music like it’s 2005 : Luke Cyca Dot Calm
Getting off spotify and rediscovering my own music collection
