Make it fast. Make it beautiful. Make it consistent. Make it carefully. Make it timeless. Make it soulful. Make it.
Playbooks — Renaissance Philanthropy – A brighter future for all through science, technology, and innovation
Christopher Alexander’s A Pattern Language defines 253 methods for constructing beautiful and practical designs at every scale, from cities to rooms.
Bircharoo is my Obsidian theme
This is gonna be a short one, but I made a simple Obsidian theme. It's called Bircharoo and it's the theme I've wanted for myself. There are over 700 themes out there already, and surely one of them would get me close to what I wanted. But
Robert Rauschenberg. White Painting. 1951 | MoMA
Audio from Robert Rauschenberg: Among Friends.
go live a life you're actually interested in
Felix Rieseberg on Twitter / X
I remade my homepage with Opus 5.5 and pushed it hard. We made music & movies, drew textures, modeled things in Blender: https://t.co/WOGPQVm6FqI'm really happy with the result! pic.twitter.com/y6yUXaKb7K— Felix Rieseberg (@felixrieseberg) September 27, 2026
Rachael Ashe, Paper Artist
Hand-cut paper artwork and installations. Pattern-based art, craft, and design.
Bobiverse Atlas
Textured spacecraft, ocean reflections, fine surface detail and cinematic light. World appearances are artistic interpretations.
Home - Qué Rico | Colourful ceramic decoration
We create colourful ceramic decoration for any home.
Alex Komoroske
Thanks for visiting. This is just a (really) quick list of a handful of some things I've worked on and thought other people might enjoy. Got a question? An idea? Contact me: alex@komoroske.com
THE CLODYSSEY (SUPERPERSUASION)
Mandala Maker
Every tap of “New design” builds a fresh coloring page from rings, petals and doodles.
The Oceanic provenance of Permacomputing and Computational poetics
Heritage Frontiers in Computational Art: The Oceanic provenance of Permacomputing and Computational poetics (2024) Nancy Mauro-Flude Keywords heritage algorithms, Oceana, codework, future heritage, technē, digital decolonisation, sandboxing, in-formal cultural economies, philosophy of technology, critical media theory. Citation: Mauro-Flude, N. (2024). Heritage Frontiers in Computational Art: The Oceanic Provenance of Permacomputing and Computational Poetics. Originally presented at ISEA, the updated version is available at Autoluminescence Institute. Initially presented June 26, 2024 at [ISEA2024](https://expertevents.
