







Resonate is the world’s first co-operative music streaming service — a multi-stakeholder platform co-operative, democratically governed by its members: artists, listeners and workers.
Subvert - The Collectively Owned Music Marketplace
“Subvert goes beyond hopetimism with a meticulously built, actionable framework. Very exciting!”

Subvert - The Collectively Owned Music Marketplace
“Subvert goes beyond hopetimism with a meticulously built, actionable framework. Very exciting!”


Indiemusi.ch
The current state of social media leaves us with a lot of questions. How can we stay united as music players amidst of platform monopolies?

Owning media again - Kedara.eu
This year, one of my aspirations is to rely less on the big streaming services for my entertainment. Why? Well, for one thing, if we give too much power to large corporations by getting overly …

Announcing indiemusi.ch alpha: the groundwork for music streaming on atproto - hilke thinks
Last.fm | Play music, find songs, and discover artists
The world's largest online music service. Listen online, find out more about your favourite artists, and get music recommendations, only at Last.fm

ARC Regional Electronic Music Project
We’re exploring how to better connect regional digital music creators with the resources they need to thrive. Our project examines how local infrastructure and online resources can work together to support creative communities outside major cities.

We Are Civic Media
A discipline-crossing introduction to civic media via accounts from grassroots practitioners “Civic media” is the use of contemporary technologies to connect communities, inspire action, build civic capacity, and sustain social change efforts. Written by artists, creators, storytellers, organizers, and others working at the intersections of technology, social justice, and culture, this book summons civic media through the lived experiences of its contributors. Latoya Peterson delves into the therapeutic power of gaming; Akilah Hughes discusses identity and community through the lens of her campaign to change her high school's racist mascot; and Tyree Boyd-Pates emphasizes the potential power of museum curation to challenge power dynamics and bridge digital and physical realms. Through the experiences of these grassroots practitioners and many others, We Are Civic Media offers accessible insights for those interested in understanding, respecting, and practicing civic media.
Shows - Decentralized Show Fliers
brought to you by some nerds in the northeast, in support of music communities everywhere
Rethinking the Large Ensemble Paradigm: Moving Toward Epistemic Justice
In this paper, I center the epistemic dimensions of musics and musicking to consider the ways in which the band/orchestra/choir paradigm of music education prevalent in the U.S. and Canada may be implicated in epistemic injustice. Drawing in particular on the work of Fricker (Epistemic injustice: power and the ethics of knowing, Oxford University Press, New York, 2007), Dotson (Hypatia 26(2):236–257, 2011), and The Routledge Handbook of Epistemic Injustice (Kidd et al., The Routledge handbook of epistemic injustice, Routledge, New York, 2017), I explore facets of epistemic injustice and apply these ideas to music education school contexts in Canada and the U.S. I further explore aspects of school music that may amount to “testimonial smothering” (Dotson 2011) and “cognitive imperialism” (Battiste in Can J Native Educ 22:16–27, 1998). Ultimately, building on existing literature on epistemic justice (Kidd et al. 2017; Fricker 2007), I theorize an epistemically just music education for school music in alignment with culturally responsive, anti-racist, and anti-colonial teaching.
Building a More Trusted Podcast Experience for Creators and Listeners — Spotify
Podcasting continues to evolve, and so does Spotify. As we build what comes next, one thing remains constant: This is a medium built on connection. It lives in the chemistry between co-hosts, in the relationship between creators and the fans who return week after week, and in the dialogue around ideas and culture. As creation...

The Case for a Public Social Media Platform - JSTOR Daily
Artist and writer Joshua Citarella explores why corporate platforms corrode democracy—and what a postal-service-style digital commons could do differently.

2002: Last.fm and Audioscrobbler Herald the Social Web
Following in Amazon's footsteps, two student projects independently use 'collaborative filtering' to bring recommendations and social networking to online music; soon they will join forces.

How to do music streaming right in the Atmosphere? This weekend I propose a lexicon that brings the music industry and atproto builders together: artists and labels can upload music with all the metadata needed for the whole monetization chain hilkeu.leaflet.pub/3mhzj3ouxx22k @atprotocol.dev
Announcing indiemusi.ch alpha: the groundwork for music streaming on atproto - hilke thinks
hilkeu.leaflet.pub