Across the films of Steven Spielberg, aliens have frequently been a vehicle to explore religiosity from a secular perspective. Institutions and dogma are elided in favor of dramatizing the ecstatic feeling of believing in something far beyond one�s station, and having that faith rewarded.
As UFOs go mainstream, the jury is out on what the existence of alien life might mean for religion
Steven Spielberg's new film “Disclosure Day” explores extraterrestrial life and its impact on religion. UFOs, now also called UAPs, are gaining mainstream attention.
Stephen Spielberg’s Reckless, Audacious “Disclosure Day”
“Disclosure Day,” a tale of aliens on Earth and the coverup of their presence, starring Emily Blunt and Josh O’Connor, is a catalogue of Steven Spielberg’s obsessions, and a deeply personal vision.
Steven Spielberg’s ‘Disclosure Day’ Turns Autofiction Into Thrilling Sci-Fi
The Hollywood maestro’s latest is filled with excitement and sentimentality.
Steven Spielberg Is Still Searching for Truth
With ‘Disclosure Day,’ the master director continues to understand the power of revelation, even if he doesn’t have much to disclose this time around
The Speculative Empathy & Radical Hope of Disclosure Day
For most of Spielberg’s career, science fiction has been the mechanism through which he learns and teaches empathy. But in Disclosure Day, empathy itself is the speculative leap
Twilight of the Spielberg Image
Steven Spielberg's career wrestles with the power and meaning of image-making, and his sci-fi "Disclosure Day" makes this its very subject.
An auteurist’s delight: ‘Disclosure Day’
A film assembled from recognizable spare parts, Disclosure Day has more craft than most big budget American films. The 79-year-old Steven Spielberg’s virtuosity is neither humble nor conceale…
What Steven Spielberg Taught Me About Fear, Catharsis, and Being Human
Hollywood is struggling, but Spielberg insists that the big screen is still the best place to work out our collective dreams, joys and sorrows.
The UFO craze was created by government nepotism and incompetent journalism
Blame Harry Reid, Skinwalker Ranch, "dino-beavers," and The New York Times
(Working Paper) Good Faith Design: Religion as a Resource for Technologists
Previous work has found a lack of research in HCI on religion, partly driven by misunderstandings of values and practices between religious and technical communities. To bridge this divide in an empirically rigorous way, we conducted an interview study with 48 religious people and/or experts from 11 faiths, and we document how religious people experience, understand, and imagine technologies. We show that religious stakeholders find non-neutral secular embeddings in technologies and the firms and people that design them, and how these manifest in unintended harms for religious and nonreligious users. Our findings reveal how users navigate technoreligious practices with religiously informed mental models and what they desire from technologies. Informed by this, we distill six design values -- wonder, humility, space, embodiedness, community, and eternity -- to guide technologists in considering and leveraging religion as an additional, valid sociocultural resource when designing for a holistic user. We further spell out directions for future research.
No Substitute for the Soul: 25 years of Steven Spielberg’s emotional sci-fi A.I. Artificial Intelligence • Journal
To mark 25 years of Steven Spielberg’s soulful sci-fi A.I. Artificial Intelligence, Robert Daniels looks back on the imaginative outlier in Hollywood, and what it can teach us about Earth today.
Here's What I Learned as the U.S. Government's UFO Hunter
A forthcoming investigational report from an office of the Pentagon has found no evidence of aliens, only allegations circulated repeatedly by UFO claim advocates
Predictive processing frameworks for perception can explain recent drone sightings in the United States
We draw on the predictive processing theory of perception to explain why healthy, intelligent, honest, and psychologically normal people might easily misperceive lights in the sky as threatening or extraordinary objects, especially in the context of WEIRD (western, educated, industrial, rich, and democratic) societies. We argue that the uniquely sparse properties of skyborne and celestial stimuli make it difficult for an observer to update prior beliefs, which can be easily fit to observed lights. Moreover, we hypothesize that humans have likely evolved to perceive the sky and its perceived contents as deeply meaningful. Finally, we briefly discuss the possible role of generalized distrust in scientific institutions and ultimately argue for the importance of astronomy education for producing a society with prior beliefs that support veridical perception.
CFP: Religion, Politics, and Cognitive Warfare: Information, Interpretation, Conspiracy, and the Struggle for Reality
The Journal for Cultural and Religious Theory (JCRT) invites proposals for an online conference entitled Religion, Politics, and Cognitive Warfare: Information, Interpretation, Conspiracy, and the Struggle for Reality. The proceedings will be considered for publication in a special issue of the JCRT. This conference investigates how beliefs, paranoia, and conspiratorial modes of knowing shape a contemporary cognitive battlespace in which actors struggle to define truth, authority, and reality itself. Drawing on Michel Foucault's Lectures on the Will to Know and Julia Kristeva's This Incredible Need to Believe (2024), we focus on practices of selective fact use and "truth-selecting" that construct alternative epistemic orders while claiming privileged access to what is "really" going on. Rather than treating conspiracy thinking as merely political or psychological, the conference foregrounds its religious dimensions: faith in hidden powers, moral dualism, apocalyptic expectation, and hermeneutical struggle over revelatory access to the real. Conspiracy cultures routinely reproduce theological structures of knowing—visions of salvation and corruption, truth and deception, initiation and blindness. At the same time, new forms of "cognitive warfare" reframe these religious energies within state and platform attempts to govern perception, attention, and trust. Artificial intelligence, algorithmic media, and strategic information campaigns do not only deliver messages; they create digital ecologies in which suspicion becomes faith-like and revelation is continual. The conference organizers are seeking proposals of high academic quality that take a reflective and analytical approach to both general and specific topics with international appeal or focus. We encourage contributions from scholars of religious studies, philosophy, communication, sociology, security studies, psychology, media, and related fields. Submissions should engage religion as a dynamic force—conceptually, historically, or materially—within the cognitive battlespaces of our time. We encourage contributions from a spectrum of perspectives, approaches, and methodologies. We are not interested in papers that simply rehearse or promote particular conspiracies, or that use the conference as a platform for calling out disliked groups. We are not interested in polemics, jeremiad, or de facto advocacy pieces. Instead, we welcome theoretically informed and methodologically rigorous work that takes the religious and epistemic dimensions of cognitive conflict seriously as objects of critical inquiry.
JD Vance says aliens are ‘demons’ and details obsession with UFOs
Vice-president promises ‘to get to the bottom of’ reports of US government files about unidentified flying objects
Refugees and Searchers Go to the Movies – First of the Month
Spielberg lets the screen go black for about five seconds. The communal experience of film-going then becomes a shared nightmare. With the screen unlit, the emergency lights in the theater are the only source of illumination. If you jump (as I did), you fear for a moment that the movie has stopped—the reel fallen off its plate, the fantasy interrupted by unfunny, drop-dead reality. “Are we still alive?” whispered by Farrier’s daughter Rachel (Dakota Fanning) is an inquiry that invokes our own doubts about our safety, our capacity to dream, our possible awakening to dire reality. It recalls how many people felt after 9/11. Are we dreaming? Are we still alive? Bringing everyday experience and existential contemplation together so forcefully, Spielberg joins the ranks of the most audacious avant-garde filmmakers: He turns the popcorn movie experience into a consideration of the abyss.