Meet LINE Seed. LINE'S very first typeface is born.
The Geometry of Type
The Geometry of Type explores 100 traditional and modern typefaces in detail, with a full spread devoted to each entry. Characters from each typeface are enlarged and annotated to reveal key features, anatomical details, and the finer, often-overlooked elements of type design, which shows how these attributes affect mood and readability. Sidebar information lists the designer and foundry, the year of release and the different weights and styles available, while feature boxes explain the origins and best uses for each typeface, such as whether it is suitable for running text or as a display font for headlines. To help the reader spot each typeface in the wider world, the full character set is shown, and the best letters for identification are highlighted.
Jim's TrueType QR Code Font
This is a real TrueType/OpenType font that turns bracketed text into QR codes during text shaping. There is no separate image generation or preprocessing step: type text like [hello], apply the font, and the font's built-in OpenType rules render the QR code.
Yep! Type Foundry — Screen-first typefaces with honest pricing and friendly licensing: Innovator Grotesk
Innovator Grotesk — a neo-grotesque variable font for UI, 9 weights with 12° oblique, calibrated vertical metrics for buttons and labels, 250+ Latin-script languages.
Home - Use & Modify
This is a personal selection of beautiful, classy, punk, professional, incomplete, weird typefaces. Open source licenses make them free to use and modify. This selection is the result of deep search and crushes. This selection is yours — Raphaël
Thinking with Type
The essential and bestselling guide to typography from beloved design educator Ellen Lupton—revised and expanded to include new and additional voices, examples, and principles, and a wider array of typefaces. "Thinking with Type is to typography what Stephen Hawking's A Brief History of Time is to physics."—I Love TypographyThe bestselling Thinking with Type in a revised and expanded third edition: This is the definitive guide to using typography in visual communication. Covering the essentials of typography, this book explores everything from typefaces and type families to kerning and tracking to grids and layout principles.Ellen Lupton provides clear and focused guidance on how letters, words, and paragraphs should be aligned, spaced, ordered, and shaped. Historical and contemporary examples of graphic design show how to learn the rules and how to break them. Critical essays, eye-opening diagrams, helpful exercises, and dozens of examples and illustrations show readers how to be inventive within systems that inform and communicate.Featuring 32 pages of new content, the third edition is revised and refined from cover to cover: More fonts: old fonts, new fonts, weird fonts, libre fonts, Google fonts, Adobe fonts, fonts from independent foundries, and fonts and lettering by women and BIPOC designersIntroductions to diverse writing systems, contributed by expert typographers from around the worldDemonstrations of basic design principles, such as visual balance, Gestalt grouping, and responsive layoutCurrent approaches to typeface design, including variable fonts and optical sizes; tips for readability, legibility, and accessibility; and stunning reproductions from the Letterform Archive Thinking with Type is the typography book for everyone: designers, writers, editors, students, anyone who works with words on page or screen, and enthusiasts of type and lettering. Readers will also love Ellen Lupton's book Extra Bold: A Feminist, Inclusive, Anti-racist, Nonbinary Field Guide for Graphic Designers. Ellen Lupton is a designer, writer, and educator. She has written numerous books about graphic design, including Thinking with Type, Graphic Design Thinking, and Extra Bold: A Feminist, Inclusive, Anti-racist, Nonbinary Field Guide for Graphic Designers. She teaches in the Graphic Design MFA program at Maryland Institute College of Art in Baltimore (MICA), where she proudly serves as the Betty Cooke and William O. Steinmetz Design Chair. She is Curator Emerita at Cooper Hewitt, Smithsonian Design Museum in New York City, where her exhibitions included Herbert Bayer: Bauhaus Master and The Senses: Design Beyond Vision. Lupton loves reading, writing, teaching, and learning new things about design.
p5-single-line-font-resources/README.md at main · golanlevin/p5-single-line-font-resources
An archive of monoline vector fonts, and p5.js code to render them. - golanlevin/p5-single-line-font-resources
MD Thermochrome by Mass-Driver - Future Fonts
Our written world is made from little dots: little dots of ink from a printer; phosphors or pixels on a screen; blackened thermal paper on a sales receipt. MD Thermochrome is a typeface designed around little dots. It’s not a faithful mimicry of any single printing technique, but an allusion to several — the coarse grid of dot-matrix printers, the visible scanlines of CRT terminal fonts, the varying dot size of over- and under-inked documents from any number of technologies. Built on a consistent (but not quite square) grid, Thermochrome features five discrete italic angles (Upright, Italic, Inclined, Retalic, Reclined), eight weights, and over 100 icons and symbols.
Revealing Text With CSS letter-spacing | CSS-Tricks
Until we get something like ::nth-letter, there are still some really cool text effects we can make from existing CSS features, like letter-spacing, ::first-word and ::first-line.
Space Grotesk
Space Grotesk is a proportional sans-serif typeface variant based on Colophon Foundry's fixed-width Space Mono family (2016). Designed by Florian Karsten.
Yep! Type Foundry — Screen-first typefaces with honest pricing and friendly licensing: Unifora
Unifora is a massive sans-serif uniwidth superfamily with an industrial edge and architectural precision
Modern Font Stacks
System font stack CSS organized by typeface classification for every modern OS. The fastest fonts available. No downloading, no layout shifts, no flashes — just instant renders.
