







[This is a guest post by Rikab Gambhir. This blog post was initially written in a different file format and converted using AI. — T.] First, they came for the artists, and I did not speak out…
This is normal bad work
[This is a guest post by Sophie Huiberts, being an expanded version of a post on her own blog. This blog post was initially written in a different file format and converted using AI. — T.] Wh…
Inside the Don’t Ask, Don’t Tell Era of AI in Music
From juicing demos to cloning vocals, AI music tools are creeping into the workflows of top producers, songwriters and artists. It’s mostly happening behind closed doors — for now

Why We’re Taking a Human‑First Stand on AI‑Generated Music — Qobuz Community
Artificial intelligence is transforming the music industry at an unprecedented pace. Faced with the explosion of AI-generated content and the legitimate questions it raises, Qobuz has chosen transparency. This charter establishes our framework: how we use AI, where we draw our lines, and what commi

Find an Artist Who Doesn't Use Generative AI | Hire Human Artists
Looking for an artist for your next project? Our human artist directory is full of over 400 artists who have pledged not to use gen AI.

The Millions of Songs Mashed Into AI-Generated Music
Explore the astonishing amount of music available to AI developers.
The Impact of AI-Generated Text on the Internet
The proliferation of AI-generated and AI-assisted text on the internet is feared to contribute to a degradation in semantic and stylistic diversity, factual accuracy, and other negative...

The Impact of AI-Generated Text on the Internet
The proliferation of AI-generated and AI-assisted text on the internet is feared to contribute to a degradation in semantic and stylistic diversity, factual accuracy, and other negative...

How Claude marks AI-generated content | Claude Help Center
Anthropic has signed the EU AI Act's Article 50(2) Code of Practice on Transparency of AI-Generated Content, as a provider of both generative AI models and generative AI systems. This article describes how we’re planning to put those commitments into practice, how marking works, and what its limitations are. We’ll update this article and publish more detailed technical guidance as it becomes available.

HAIM: Human-AI Music Datasets for AI Music Production Tracking Benchmark
As generative platforms such as Suno and Udio reach human-grade audio quality, the scope of AI's utility has expanded across the entire music production workflow. Beyond simple track generation, these advancements have catalyzed the adoption of AI-driven methodologies in diverse forms. These include vocal synthesis, arrangement, and professional mastering. However, current detection research remains largely confined to a binary `AI-or-human' paradigm. It fails to reflect the realities of contemporary music production workflows. In real-world production, AI tools are increasingly used to refine or master human-produced tracks, and human engineers likewise post-process AI-generated material to ensure professional quality. Moreover, users often employ adversarial tactics to bypass AI detectors, such as applying human mastering to AI-generated tracks. This creates a grey area that a simple binary classification fails to capture. In this paper, we define and investigate ``AI Music Tracking'': the challenge of identifying specific AI integration across the multifaceted spectrum of music production. To this end, we introduce HAIM, a dataset with diverse labels for stages of music production. It is designed to isolate stages of AI intervention, including hybrid production and agent-level tracking. Our evaluation of state-of-the-art detectors reveals systemic flaws. By releasing HAIM, we propose a new benchmark that shifts the field beyond binary classification toward a granular, structured evaluation of AI music.

derek guy on Twitter / X
I suspect we're approaching a time where if you want to protect creative work, it has to be something that can't be digitized. AI has made is so that creative works speed run through the lifecycle from cool to cliche in a matter of months. This contributes to our cultural… https://t.co/HJYL6Tj6t4— derek guy (@dieworkwear) September 19, 2026
The AI Aesthetic
Writing about the big beautiful mess that is making things for the world wide web.
The Omg Lol Times · We have to talk about AI “art”
Note: In this post I’m going to use the term “AI” as a lazy shorthand for “generative content creation via large-scale pre-trained models” because time is tight and I’ve got arthritis. I know it’s not really “AI”, but please, let me give my typing fingers a break here.
Ryan Cordell (@ryancordell.org)
Claude Code is blowing my mind—the 1st thing I’ve seen amid the AI hype that feels truly transformative One example—we’ve been doing genre classification work & I had the thought "it’d be nice to have a web application that lets users tag newspaper texts"—literal minutes later it exists & works
Hello Local Business, Your AI Ads Are Costing You Customers
'Even if this was a genre popularised by human artists, it would still look like shit'

Trevor Paglen and Holly Herndon on Making Art with AI and What the Discourse Is Missing
The artists talk process, slop, and why optimism and pessimism don’t quite cover it.
