In the first major update to this classic book in many years, Collins traces the history and contours of Black women’s ideas and actions to argue that Black feminist thought is the discourse that fosters Black women’s survival, persistence, and success against the odds. Through meticulous research that synthesizes the important intellectual work done by Black women, Collins’s timely update demonstrates that Black women’s ideas and actions are not marginal concerns but rather are central to the future of social justice within democratic societies. The combination of the text’s classic arguments and a preface and epilogue written expressly for this edition speak to people who have long been working on social justice and to a new generation of readers who are encountering the ideas and actions of Black women for the first time. For this 30th year anniversary edition, Patricia Hill Collins examines how the ideas in this classic text speak to contemporary social issues and identifies the directions needed for the future of Black feminist thought.
Black Futures
Check out Black Futures - <b><b>“A literary experience unlike any I’ve had in recent memory . . . a blueprint for this moment and the next, for where Black folks have been and where they might be going.”—<i>The New York Times Book Review</i> (Editors’ Choice)</b><br><br></b><i><b>What does it mean to be Black and alive right now?</b></i><br><br>Kimberly Drew and Jenna Wortham have brought together this collection of work—images, photos, essays, memes, dialogues, recipes, tweets, poetry, and more—to tell the story of the radical, imaginative, provocative, and gorgeous world that Black creators are bringing forth today. The book presents a succession of startling and beautiful pieces that generate an entrancing rhythm: Readers will go from conversations with activists and academics to memes and Instagram posts, from powerful essays to dazzling paintings and insightful infographics.<br><br> In answering the question of what it means to be Black and alive, <i>Black Futures</i> opens a prismatic vision of possibility for every reader. by Jenna Wortham and Kimberly Drew on Bookshop.org UK!
Black Women and the Care Agenda | National Partnership for Women & Families
Black women are family caregivers – and they need flexibility and economic supports to make the best decisions for themselves and their families
A Black Feminist Apocalypse/Dystopian Survival Resource Compilation
A Black Feminist Apocalypse/Dystopian Survival Resource Compilation With the awful realization that we are indeed in a fight for our very survival coming over me for the past few years, I’ve asked myself this question: what can I do right now, today? With my resources limited or tapped out, I’ve...
Take Your Place: Rhetorical Healing and Black Womanhood in Tyler Perry’s Films
The unparalleled commercial sucessess that gospel-playwright-turned-screenwriter Tyler Perry has attained through converting his stage plays into films that depict black women overcoming personal crises raises questions about the intent behind his seemingly feminist-inspired representations of black womanhood. Through an analysis of the rhetoric of healing in Perry’s first two films, this essay reveals one of the suppressive pedagogical functions of Perry’s representation of black womanhood. Rhetorics of healing are a series of persuasive messages, performances, and literacy acts that writers deploy in order to convince readers that redressing or preventing crises requires them to follow the curriculum for ideological, communicative, and behavioral transformation that the writer considers essential to wellness. In Diary of a Mad Black Woman and Madea’s Family Reunion, Perry’s representation of rhetorical healing constructs black Christian women as students who must learn prescribed attitudes and behaviors to achieve, or remain in, states of wellness, and these lessons reinforce conservative gender ideologies and reify patriarchal constructions of the family and home. Given black women’s historically tenuous relationships with representations of themselves and their families in mainstream film, and given the ways in which their labor in the home is simultaneously desired and exploited, the popularity of Perry’s films does not suggest that his representations of healing foster black women’s self-empowerment. Rather, his popularity points to a moment where black women’s pain is a commodity and their instructive journeys to wellness are an exploited site where writers can carry out their own agendas.
REVIEW: Pauline Hopkins' Contending Forces should be leading the literary canon - The Maroon
Contending Forces tells the story of a Black family both before and after slavery ended in the United States.
What do we want from Black women on screen?
From Teyana Taylor’s Oscar-nominated turn in One Battle After Another to Industry’s ruthless Harper Stern, Black women are taking on some of the most morally complex roles on screen. But what does “good” representation really mean and must it always be aspirational? Michaela Makusha investigates.
Anarchism and The Black Revolution and Other Essays
An analysis of white supremacy vs the black struggle an…
Dark Matters: On the Surveillance of Blackness
In Dark Matters Simone Browne locates the conditions of…
News for Black America - NewsOne
Breaking news for and about Black America: politics, original stories, diverse opinions, current events and their impact on Black lives.
Beyond the blank slate: Why Black women’s trust is critical for equitable AI | Brookings
Zarah Guillemet and Raj Korpan discuss preliminary research on Black women's trust in AI and implications for policymakers.
Black Panther Woman by Mary Frances Phillips | East Bay Booksellers
The first biography of Ericka Huggins, a queer Black woman who brought spiritual self-care practices to the Black Panther Party.In this groundbreaking biography, Mary Frances Phillips immerses readers in the life and legacy of Ericka Huggins, a revered Black Panther Party member, as well as a mother, widow, educator, poet, and former political prisoner.
Sharing Knowledge Openly: Author Gender, Race/Ethnicity, and Feminist Science
Open science is an increasingly important movement in contemporary social science. Many funders have begun to mandate open practices, newer journals like Socius are open access, and preprint servers have increased readership of paywalled articles. Feminist scholars have written about the values and pitfalls of open research. In this paper, we put those ideas in conversation with each other and empirical data on open-access publishing to develop a feminist framework for thinking about feminist knowledge, data, publishing, and audience. Using a survey of 19,462 social scientists, linked with their entire Web of Science publication history from 2000 to 2023 and all papers posted to SocArXiv, we replicate past work showing that articles by women are less likely to be some types of open access. We extend these findings to scholars of color and feminist scholarship, while also demonstrating a few surprising null results for all three groups.
The Revolution Has Come: Black Power, Gender, and the Black Panther Party in Oakland
"Tearing down myths and distortions on virtually every page, The Revolution Has Come is the first substantive account of the Black Panther Party’s Oakland chapter—the iconic gathering that birthed the party and held on to its very last breath. Robyn C. Spencer’s incisive attention to gender, state repression, black radical alliances, philosophical and ideological debates, and the organization’s long decline makes this one of the most original studies of the Panthers to appear in years." - Robin D. G. Kelley, author of Freedom Dreams: The Black Radical Imagination
About — NBUF Website
To struggle for self-determination, liberation and power for Black people in the United States.
American Babylon
A gripping portrait of black power politics and the struggle for civil rights in postwar Oakland
