Winner, 2021 Harry Shaw and Katrina Hazzard-Donald Award for Outstanding Work in African-American Popular Culture Studies, given by the Popular Culture Association Winner, 2021 Nancy Baym Annual Book Award, given by the Association of Internet Researchers An explanation of the digital practices of the black Internet From BlackPlanet to #BlackGirlMagic, Distributed Blackness places blackness at the very center of internet culture. André Brock Jr. claims issues of race and ethnicity as inextricable from and formative of contemporary digital culture in the United States. Distributed Blackness analyzes a host of platforms and practices (from Black Twitter to Instagram, YouTube, and app development) to trace how digital media have reconfigured the meanings and performances of African American identity. Brock moves beyond widely circulated deficit models of respectability, bringing together discourse analysis with a close reading of technological interfaces to develop nuanced arguments about how "blackness" gets worked out in various technological domains. As Brock demonstrates, there's nothing niche or subcultural about expressions of blackness on social media: internet use and practice now set the terms for what constitutes normative participation. Drawing on critical race theory, linguistics, rhetoric, information studies, and science and technology studies, Brock tabs between black-dominated technologies, websites, and social media to build a set of black beliefs about technology. In explaining black relationships with and alongside technology, Brock centers the unique joy and sense of community in being black online now.
Building a Culture of (Digital) Safety
Black culture is in a lot of ways synonymous with how internet culture exists writ large. From what is now described as “Gen-Z slang” (or as Black people have always known it, AAVE) to our methods of organizing (Black feminists starting hashtag activism and creating movements like #MeToo, #BlackLivesMatter, and #SayHerName) and even how we […]
Digital blackface
Digital blackface is a term used to describe the phenomenon of non-Black individuals using digital media, such as GIFs, memes, or audio clips featuring Black individuals, to express emotions or convey ideas. This behavior has sparked debate and criticism due to concerns about cultural appropriation and the perpetuation of stereotypes. Digital blackface has been described as "one of the most insidious forms of contemporary racism"[1] and has been compared to historical minstrelsy by Black individuals and social justice advocates.
Black Software
Black Software: The Internet and Racial Justice, From the Afronet to Black Lives Matter is a 2019 American book that sets out to understand Black Lives Matter through the six-decade history of racial justice movement organizing online.
“No One’s Coming to Save Us. Why Communities Must Build Their Own Internet” -Rudy Fraser, Blacksky
Rudy Fraser on Blacksky, Mutual Aid & Reclaiming Social Media
Unpacking the Racism of Digital Blackface in the Information Age
Blacksky
Decentralized social media built for community power, culture, and collective freedom.
Blacksky
Decentralized social media built for community power, culture, and collective freedom.
Social Media Vs Democracy
Constructing and enforcing "authentic" identity online: Facebook, real names, and non-normative identities
Despite the participatory and democratic promises of Web 2.0, many marginalized individuals with fluid or non-normative identities continue to struggle to represent themselves online. Facebook users, in particular, are told to use “authentic identities,” an idea reinforced throughout the site’s documentation, “real name” and other policies, and in public statements by company representatives. Facebook’s conception of authenticity and real names, however, has created problems for certain users, as demonstrated by the systematic deactivation of many accounts belonging to transgender and gender variant users, drag queens, Native Americans, abuse survivors, and others. In view of the struggles of marginalized users, Facebook policy appears paradoxical: the site simultaneously demands authenticity yet proscribes certain people from authentic self-presentation. In this work, we examine Facebook’s construction of “authenticity” and show how it excludes multifaceted, fluid, or non-normative identities. Using content analysis and close reading, we analyze site documentation and data from The Zuckerberg Files (an online archive of Facebook founder and CEO Mark Zuckerberg’s public remarks) to understand the platform’s mechanisms for enforcing authenticity. We find that Facebook positions itself as a type of administrative identity registrar, raising vital questions regarding the ethics and consequences of identity enforcement online today.
Constructing and enforcing "authentic" identity online: Facebook, real names, and non-normative identities
Despite the participatory and democratic promises of Web 2.0, many marginalized individuals with fluid or non-normative identities continue to struggle to represent themselves online. Facebook users, in particular, are told to use “authentic identities,” an idea reinforced throughout the site’s documentation, “real name” and other policies, and in public statements by company representatives. Facebook’s conception of authenticity and real names, however, has created problems for certain users, as demonstrated by the systematic deactivation of many accounts belonging to transgender and gender variant users, drag queens, Native Americans, abuse survivors, and others. In view of the struggles of marginalized users, Facebook policy appears paradoxical: the site simultaneously demands authenticity yet proscribes certain people from authentic self-presentation. In this work, we examine Facebook’s construction of “authenticity” and show how it excludes multifaceted, fluid, or non-normative identities. Using content analysis and close reading, we analyze site documentation and data from The Zuckerberg Files (an online archive of Facebook founder and CEO Mark Zuckerberg’s public remarks) to understand the platform’s mechanisms for enforcing authenticity. We find that Facebook positions itself as a type of administrative identity registrar, raising vital questions regarding the ethics and consequences of identity enforcement online today.
Social Media Is Now Parasocial Media
When practitioners used the term “social media” to describe the internet tools that emerged in the mid-aughts, they were giving a name to the kinds of platforms and protocols that allowed people to socialize with friends and communities of interest by using digital technologies. Twenty years later, users of social media are far more likely to scroll than post – and the content that they consume is often strategically produced and algorithmically curated. In this essay, I argue that the very essence of social media has changed. To more effectively interrogate what we are witnessing, we need to stop presuming that these tools are “social media” and begin recognizing that they are now “parasocial media.” Doing so raises new questions about digitally mediated sociality, not to mention the politics and governance of these platforms.
Toward People’s Community Control of Technology: Race, Access, and Education
This field review explores how the benefits of access to computing for racialized and minoritized communities has become an accepted fact in policy and research, despite decades of evidence that technical fixes do not solve the kinds of complex social problems that disproportionately affect these communities.
Data Feminism for AI
Attacks on women and trans people are not happening in a vacuum. Communications scholars W. Lance Bennett and Marianne Kneuer recently argued that we are witnessing the intensification of "illiberal public spheres" around the world (Bennett and Kneuer, 2023). These are characterized by a set of anti-democratic communications tactics that include the denigration and exclusion of minoritized people, targeted attacks on the press and political institutions, and transgression of norms of civil discourse. Such tactics are enabled and amplified by the social media platforms owned by Big Tech, whose business model elevates attention above all other metrics, such that they profit richly off extremism, threats, spectacle, and lies. The success of this corporate partnership with right-wing extremism is evident in the proliferation of book bans (Magnusson, 2024), the demonization of DEI and critical race theory (Crenshaw, 2022), and mob tactics to doxx, intimidate, misrepresent, and otherwise silence people that study misinformation, speak out against racial and gender violence, or rule against insurrectionists (Edmonds, 2024). At the same time, we have seen the continued work of feminists, including Latin American, Indigenous, and abolitionist feminists in the US and globally, doing the work of imagining alternate worlds (Cullors, 2021; Davis, 2022; Ricaurte, 2019; Simpson, 2017). This paper represents our own first attempt to imagine a more equitable, sustainable, feminist world for AI research.
Black Futures
Check out Black Futures - <b><b>“A literary experience unlike any I’ve had in recent memory . . . a blueprint for this moment and the next, for where Black folks have been and where they might be going.”—<i>The New York Times Book Review</i> (Editors’ Choice)</b><br><br></b><i><b>What does it mean to be Black and alive right now?</b></i><br><br>Kimberly Drew and Jenna Wortham have brought together this collection of work—images, photos, essays, memes, dialogues, recipes, tweets, poetry, and more—to tell the story of the radical, imaginative, provocative, and gorgeous world that Black creators are bringing forth today. The book presents a succession of startling and beautiful pieces that generate an entrancing rhythm: Readers will go from conversations with activists and academics to memes and Instagram posts, from powerful essays to dazzling paintings and insightful infographics.<br><br> In answering the question of what it means to be Black and alive, <i>Black Futures</i> opens a prismatic vision of possibility for every reader. by Jenna Wortham and Kimberly Drew on Bookshop.org UK!
The Root – Black News, Opinions, Politics and Culture