This comprehensive publication focuses on the artwork and activism of Sasha Huber. A Helsinki-based visual artist and researcher of Swiss and Haitian heritage, Huber’s creative practice encompasses performance, photography, film, mixed media, reparative interventions, and collaborations to investigate colonial residues left in the environment. Her projects conceive of natural spaces—mountains, lakes, glaciers, forests, and craters—as contested territories, highlighting the ways in which history is imprinted onto the landscape through acts of remembrance, including memorialization through naming and the erection of monuments. For over a decade, Huber has produced work in relation to the cultural and political Demounting Louis Agassiz campaign, which seeks to redress the racist legacy of the Swiss-born naturalist and glaciologist. With her artworks, Huber challenges the terms by which we remember, asking not only who and what we memorialize, but also, and more importantly, how we do so.
Pierre d'Alancaisez: The Crisis in Contemporary Art
We Are Civic Media
A discipline-crossing introduction to civic media via accounts from grassroots practitioners “Civic media” is the use of contemporary technologies to connect communities, inspire action, build civic capacity, and sustain social change efforts. Written by artists, creators, storytellers, organizers, and others working at the intersections of technology, social justice, and culture, this book summons civic media through the lived experiences of its contributors. Latoya Peterson delves into the therapeutic power of gaming; Akilah Hughes discusses identity and community through the lens of her campaign to change her high school's racist mascot; and Tyree Boyd-Pates emphasizes the potential power of museum curation to challenge power dynamics and bridge digital and physical realms. Through the experiences of these grassroots practitioners and many others, We Are Civic Media offers accessible insights for those interested in understanding, respecting, and practicing civic media.
PatternsandEros — Anggrek
Anggrek Agency Contemporary Art Agency and Exhibition Space in Zurich Switzerland
Utopian media studies: Introduction
This introduction to the special issue ‘Utopian Media Studies’ sketches a framework for how media studies can become a site of utopian praxis, research and experimentation. It first addresses three apprehensions media scholars might have about the notion of utopian media studies and its appeal to a loaded concept like ‘utopia’. The introduction then outlines five sensibilities to explicate the nature and significance of this special issue’s contribution to the field: a utopian media studies must adopt an ecological approach to media; recognize and be invigorated by limits; work toward the technological liberation of time; connect imagination with practice; and emphasize and enable conditions for transmitting hope. Lastly, the introduction considers Ruth Levitas’s distinction between utopia’s archaeological, ontological, and architectural mode to map some of the concrete ways in which existing media studies research is doing utopian work that aligns with these sensibilities. In connecting work that operates in these modes with the various contributions to this special issue, the introduction reveals the utopian currents that already run through media studies as a discipline and opens up new conceptual and methodological approaches to studying and modeling digital utopias.
Utopian media studies: Introduction
This introduction to the special issue ‘Utopian Media Studies’ sketches a framework for how media studies can become a site of utopian praxis, research and experimentation. It first addresses three apprehensions media scholars might have about the notion of utopian media studies and its appeal to a loaded concept like ‘utopia’. The introduction then outlines five sensibilities to explicate the nature and significance of this special issue’s contribution to the field: a utopian media studies must adopt an ecological approach to media; recognize and be invigorated by limits; work toward the technological liberation of time; connect imagination with practice; and emphasize and enable conditions for transmitting hope. Lastly, the introduction considers Ruth Levitas’s distinction between utopia’s archaeological, ontological, and architectural mode to map some of the concrete ways in which existing media studies research is doing utopian work that aligns with these sensibilities. In connecting work that operates in these modes with the various contributions to this special issue, the introduction reveals the utopian currents that already run through media studies as a discipline and opens up new conceptual and methodological approaches to studying and modeling digital utopias.
Cartographic Memory: Social Movement Activism and the Production of Space
“Cartographic Memory is a creative, important, and well-written book that offers a vital analysis of Latinx activism in Oakland. Juan Herrera’s concept of social movement continuities helps us analyze the range of ways that actors make social change, rather than only focusing on the most radical politics or certain epic moments. Herrera’s book is an outstanding contribution toward building a nuanced and complex understanding of Latinx social movements.” - Victoria Lawson, author of Making Development Geography
New Topographics: photographs that find beauty in the banal
William Jenkins's 1975 exhibition rewrote the rules of landscape photography. Does it have the same impact today?
Why Robert Frank’s “The Americans” Matters Today
The photographer’s seminal monograph had a seismic impact on photography conventions and American culture.
A Billion Black Anthropocenes or None
Check out A Billion Black Anthropocenes or None - <p><b>Rewriting the “origin stories” of the Anthropocene</b><br /><br /> No geology is neutral, writes Kathryn Yusoff. Tracing the color line of the Anthropocene, <i>A Billion Black Anthropocenes or None</i> examines how the grammar of geology is foundational to establishing the extractive economies of subjective life and the earth under colonialism and slavery. Yusoff initiates a transdisciplinary conversation between feminist black theory, geography, and the earth sciences, addressing the politics of the Anthropocene within the context of race, materiality, deep time, and the afterlives of geology.<br /><br /> Forerunners is a thought-in-process series of breakthrough digital works. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.</p> by Kathryn Yusoff on Bookshop.org UK!
Hawkins-Weeks Photography
A blog about photography, featuring landscape, nature, abstract and macro subjects, plus articles on art, music and books (oh, and coffee!)
10 Street Photographers EVERY Photographer MUST Know
Interface Aesthetics: An Introduction
Rhizome champions born-digital art and culture through commissions, exhibitions, scholarship, and digital preservation.
Positive obsession: the life and times of Octavia E. Butler
"A magnificent cultural biography that charts the life of one of our greatest writers, situating her alongside the key historical and social moments that shaped her work"--
Kim | abstract palette knife art on Instagram: "Kleiner Sunday reminder 🫶🏼✨ I don’t know who needs to hear this but.. ‘Seelenwärmer' | hand painted Grußkarten 💘Shoppe meine Kunst online: www.zweiraumkunst.de #postkarte #quote #selflove #femaleempowermentquotes #smallart #smallartaccount #smallartistsupport #kunstdeutschland #postcardexchange"
250 likes, 21 comments - zweiraumkunst on May 4, 2025: "Kleiner Sunday reminder 🫶🏼✨ I don’t know who needs to hear this but.. ‘Seelenwärmer' | hand painted Grußkarten 💘Shoppe meine Kunst online: www.zweiraumkunst.de #postkarte #quote #selflove #femaleempowermentquotes #smallart #smallartaccount #smallartistsupport #kunstdeutschland #postcardexchange".
Oakland is a Vibe: Blackness, Cultural Framings and Emancipations of The Town
Author(s): Heitz, Kaily | Advisor(s): Scott Lewis, Jovan | Abstract: In this dissertation, I examine the ways that developers and Black community organizers in Oakland, California, utilize a situated concept of Black culture to produce value in the city. This value is constituted by a politics of Blackness rooted both in racial capitalism, shifting structures of community care, and their affective articulations. The affective qualities of Black Oakland – which includes a sense of relationality, creativity, and resistance – are understood colloquially as “vibe.” While representations of vibe are mobilized by both developers and community organizations to respectively advance and resist gentrification, I argue that the vibe of the city is constituted by a Black sense of place that cannot be reproduced through capitalist representations of cultural value alone. This study of vibe presents an opportunity to take seriously the invitation of Black geographic scholarship to work at the intersection of poetics and historical materialism by exploring relationality as a site that coproduces racialized space and experience. Where developers leverage notions of vibe to generate value through private investment, Black organizers utilize such representations in order to reclaim the physical space necessary to the very production of vibe. The latter strategy is, I suggest, an enactment of what I call “emancipatory framing,” in which hegemonic framing is mobilized in order to create alternative spaces for liberatory praxes. This dissertation explores vibe and emancipatory framing at three different scales: the Black body, the independent business, and the grassroots collective. I conclude that vibe as a material and metaphorical asset of Blackness, is at the root of contestations over place, and sometimes contradictory imaginaries of freedom.
