







Upstart & Crow exists to share stories and to support the literary arts in Vancouver and beyond. We develop transformative programs, host conversations and launch projects that enable storytellers to create and share exciting new work. We partially fund these initiatives through bookstores that champion independent presses and underdiscovered works. Find event rental and launch information.
Content Design, second edition - Paperback and eBook bundle
We work with organisations, big and small, to transform their content and help them succeed.

Welcome to the next Renaissance
"We'd love a byline in Big Media. But we'll also be everything from baristas, booksellers, Etsy artists, and TikTok news creators to dog walkers, ice cream scoopers, copywriters, and marketers."

Creative Reading: Scaffolding Reading for Transformation
Reading augmentation systems increasingly help readers process text at scale. While these tools address real constraints of time and cognitive load, they often implicitly frame reading as information transmission, or "reading to discard," delegating interpretation and effort to the machine. Yet this delegation changes the outcome of reading. For example, in scholarly reading, deciding what a research text implies and why it matters is central to the work of scholarly production. We propose creative reading as an alternative goal: reading augmentation that supports readers in creating both readings and themselves as readers. By putting literary and narrative theories into conversation with scholarly sensemaking and creativity support, we present a provocation-oriented design space for valuing the process of reading as a way of preserving a plurality of readings and transforming readers over time.

Creative Reading: Scaffolding Reading for Transformation
Reading augmentation systems increasingly help readers process text at scale. While these tools address real constraints of time and cognitive load, they often implicitly frame reading as information transmission, or "reading to discard," delegating interpretation and effort to the machine. Yet this delegation changes the outcome of reading. For example, in scholarly reading, deciding what a research text implies and why it matters is central to the work of scholarly production. We propose creative reading as an alternative goal: reading augmentation that supports readers in creating both readings and themselves as readers. By putting literary and narrative theories into conversation with scholarly sensemaking and creativity support, we present a provocation-oriented design space for valuing the process of reading as a way of preserving a plurality of readings and transforming readers over time.

“Just a Tool” and Other Fictions — Natalia Ilyin
Ever one to hope for the best, last semester I suggested that students use ChatGPT as a “research partner” in the big bibliographic project they do in the Fall term of Parallel Narratives , their Junior-level history-and-criticism class. In a 27-person class, only one student took me up on the idea
Stir Arts & Culture Vancouver (@createastir.ca)
Vancouver’s freshest hub for local arts and culture—music, dance, theatre, film, visual arts, books, and much more createastir.ca
arbourtrary
Trying out a few concepts. Writing about nature, tech, poetry, mathematics. Providing safe arbour in a darkening forest.

Media Startup Fellowship: Startup funding & coaching
Media Startup Fellowship: Do you have an innovative media idea? ★ Benefit from funding ► Suitable for every start-up phase!

Project MUSE - Technology and Below-the-Line Labor in the Copyfight over Intellectual Property
Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide. Forged from a partnership between a university press and a library, Project MUSE is a trusted part of the academic and scholarly community it serves.

Toward a durable writing stack – Writings and rehearsals by Nathan Schneider
I have benefited over the years from others who have documented their writing setups, and so I feel some obligation to pay the favor forward by doing so with my own. The stack I’ll describe here is one I’ve been iterating on for about twenty years, starting from when I began discovering the pleasures of plain-text writing. Every aspect of it has changed over that period, but the some basic goals and flows have been with me through the writing of my college thesis, five books, and hundreds of articles. I am quite happy with where I am, and others might benefit from what I’ve come up with.

Hardcover
We're a social network for book lovers to find life changing books, track what you read & want to read, and connect with passionate readers.

Beating the drums for independent press, publishers, and writers
Whose news? Whose story? Who gets to tell it?

Unglue.it - A Community Supporting Free eBooks
Tales of Darkness and Light: Soso Tham’s The Old Days of the Khasis

Publishing your work increases your luck
In 12 months, @aarondfrancis changed his life by bypassing fear and embracing risk. Now, he’s working his dream job @tuple. Get his full story on The ReadME Project:

Landing — Open Journals Collective
We're a collective of libraries, university presses, and non-profit publishers reshaping academic research.
I'm actively seeking book bloggers, indie booksellers, librarians, educators interested in contributing to my HOW READERS DISCOVER BOOKS blog. Info: books.leaflet.pub/about One of my goals: to help boost the book boosters, help people find new ways to discover books, and (of course) boost books.
About - How Readers Find Books
books.leaflet.pub