🌍 A web-collage of text and images excavated from the buried neighbourhoods of GeoCities.
your long-form atmosphere · pub search
what you publish, who reads it, your semantic neighborhoods, and what you recommend
The Dark Forest and the Cozy Web
An illustrated diagram exposing the inner layers of the dark and cozy web
Home Page
We are an international community of communities bound by a common interest in persistent infrastructure. So far, we have welcomed agencies that manage communities spanning entertainment, standards, the built environment, natural history collections, scholarly communications, and research data.
The Skeleton Library
On Interpolatable Archives, Part 1: Compulsions to Connect, Warburg, Borges and Goldsmith, Cultural Technologies and Digital Oralities
Search the world's information, including webpages, images, videos and more. Google has many special features to help you find exactly what you're looking for.
Search the world's information, including webpages, images, videos and more. Google has many special features to help you find exactly what you're looking for.
Search the world's information, including webpages, images, videos and more. Google has many special features to help you find exactly what you're looking for.
homepages.news — News Homepages documentation
An open-source archive that gathers, saves, shares and analyzes news homepages
ChatGPT's Atlas: The Browser That's Anti-Web - Anil Dash
A blog about making culture. Since 1999.
Utopian media studies: Introduction
This introduction to the special issue ‘Utopian Media Studies’ sketches a framework for how media studies can become a site of utopian praxis, research and experimentation. It first addresses three apprehensions media scholars might have about the notion of utopian media studies and its appeal to a loaded concept like ‘utopia’. The introduction then outlines five sensibilities to explicate the nature and significance of this special issue’s contribution to the field: a utopian media studies must adopt an ecological approach to media; recognize and be invigorated by limits; work toward the technological liberation of time; connect imagination with practice; and emphasize and enable conditions for transmitting hope. Lastly, the introduction considers Ruth Levitas’s distinction between utopia’s archaeological, ontological, and architectural mode to map some of the concrete ways in which existing media studies research is doing utopian work that aligns with these sensibilities. In connecting work that operates in these modes with the various contributions to this special issue, the introduction reveals the utopian currents that already run through media studies as a discipline and opens up new conceptual and methodological approaches to studying and modeling digital utopias.