Eryk Salvaggio is a 2024 Flickr Foundation Research Fellow, diving into the relationships between images, their archives, and datasets through a creative research lens. This three-part series focuses on the ways archives such as Flickr can shape the outputs of generative AI in ways akin to a haunting.
High Throughput, Low Completion
Credit: Flickr / MeTaMiND EvoLuTioN MeTaVoLuTioN I have never been someone who organises things. I have a great memory and a high tolerance for ambiguity, and I evolved to match the era of the inte…
Why are the Artemis II photos on Flickr? - Anil Dash
A blog about making culture. Since 1999.
scoiattolo.mountainherder.xyz/flickr2grain
A small utility for migrating photos from flickr to grain
Tyler Angert on Twitter / X
we're working on a new photo search engine called Angles. it's focused on doing one thing well: finding photos + videos by visual similarity.here is raw, unedited footage of me going through my 80,000 photo camera roll *in realtime* with text-to-image search, image-to-image… pic.twitter.com/fsCqIHv00j— Tyler Angert (@tylerangert) March 24, 2026
Public Domain Image Archive
Explore our hand-picked collection of out-of-copyright works, free for all to browse, download, and reuse. This is a living database with new images added every week.
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Unmasking Synthetic Realities in Generative AI: A Comprehensive...
The rapid advancement of Generative Artificial Intelligence has fueled deepfake proliferation-synthetic media encompassing fully generated content and subtly edited authentic material-posing...
The cinematograph, the "noematograph," and the future of AI art
From the cinematograph to the "noematograph," the Hugh-winning author explores how technology has, and may still, breed new artistic forms.
Jan Švankmajer
Jan Švankmajer is a Czech retired film director, animator, writer, playwright and artist. He draws and makes free graphics, collage, ceramics, tactile objects and assemblages. In the early 1960s, he explored informel, which later became an important part of the visual form of his animated films. He is a leading representative of late Czech surrealism. In his film work, he created an unmistakable and quite specific style, determined primarily by a compulsively unorthodox combination of externally disparate elements. The anti-artistic nature of this process, based on collage or assemblage, functions as a meaning-making factor. The author himself claims that the intersubjective communication between him and the viewer works only through evoked associations, and his films fulfil their subversive mission only when, even in the most fantastic moments, they look like a record of reality. Some of the works he created together with his wife Eva Švankmajerová.
A Camera, Not an Engine II
Further thoughts on photography in latent space, now with agents!
GHOST IN THE MACHINE (2026) OFFICIAL TRAILER
you do not have to use generative ai "art" in your blogs because there are websites where you can get real, nice images for free
hi, i'm jenn schiffer and this is my lifestyle blog
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Why are the Artemis II photos on Flickr? - Anil Dash