A book that redefines both family and narrative for the…
The Banality of Genius: Notes on Peter Jackson's Get Back
A Special Edition of The Ruffian
The Anatomy of Story
”The Anatomy Of Story is concrete and practical without resorting to simplistic ‘Three Act Structure’ screenwriting clichés. It will be an indispensable guide to writing your first great script.” —Larry Wilson, co-writer /co-producer of Beetljuice and co-writer of The Addams Family THE ANATOMY OF STORY 22 STEPS TO BECOMING A MASTER STORYTELLER Faber & Faber launches John Truby’s The Anatomy of Story: 22 Steps to Becoming a Master Storyteller—a new Bible not just for screenwriters, but for any writer crafting the perfect story. Taking as his examples Jaws, Adventures of Huckleberry Finn, Tootsie, The Great Gatsby, The Godfather, Chinatown, and A Christmas Carol, among many others, Truby illustrates in The Anatomy of Story (Faber & Faber/Farrar, Straus and Giroux) what makes a great story and how to create that story, focusing on plot and premise, theme, characters, moral development, and crafting the kind of ending that brings readers and audiences back again and again. Additionally, Truby offers seven key story structure steps, which are the major stages of a story’s development and of the dramatic code under its surface. The Anatomy of Story is a step-by-step guide to constructing the best story possible—be it a screenplay, short story, or novel. Truby, who has taught his twenty-two-step Great Screenwriting and Genre classes to more than 20,000 students worldwide, is available to discuss: Top 10 mistakes writers make about story. Five best and worst questions about screenwriting. How the 22-step-approach is different from the 3-act structure. Five unique story elements of blockbuster films. Five best techniques of character and plot. John Truby is Hollywood’s premier story consultant and founder of Truby’s Writers Studio. He has worked as a story consultant and script doctor for Disney Studios, Sony Pictures, FOX, and HBO, among others. Booklist “ Hollywood story consultant Truby commits his vast knowledge of screenwriting and storytelling to the page in this handy guide for aspiring writers of all types. Truby delves into the setup, from basic structure to the premise and the depth behind it. From there, he moves into character, emphasizing the importance of not only the hero but also the characters in the story who aid and oppose him. Truby illustrates the importance of setting to the story and how careful plotting is needed to weave the elements of the story together. He cautions that plot is not incidental and requires careful management and timely revelations. Although most of his examples are from movies, such as Tootsie, The Godfather, and Star Wars, Truby also draws from novels and plays, and his advice is applicable not only to the hopeful screenwriter but to the aspiring novelist as well. A comprehensive guide to writing stories of all kinds, Truby’s tome is invaluable to any writer looking to put an idea to paper.” —Kristine Huntley Tweet
MAiD, ableism, cognitive accessibility, and more
This one took a bit to write. The first piece is long (1,600+ words), and intense. But it needed to be said. I'll be interested to hear what you think. You...
Cory Doctorow: Stories Are a Fuggly Hack - Locus
I've mentioned before, stories are weird. I mean, really, really weird. Nothing that happens in a piece of fiction has any consequence in the real world. Romeo and Juliet did not live, did not die, and the ''tragedy'' they represent is objectively less important than the tragedy of the live yogurt culture I digested at the breakfast table this morning. My theory is that the parts of our brains that …Read More
Being Black: Selections from "Soledad Brother" by Georg…
Discover and share books you love on Goodreads.
#784: The absurdity of the apocalypse
Plus: repayment avoidance, the death of “hello,” and a Cinderella story for the algorithmic era
Michael Thrower Chowdhury on Twitter / X
This book is very good. I started it today and was hooked, am about halfway through already. Cooper assesses the ways in which beliefs in traditional family structures underpin the laissez-faire resurgence of the 1990s. Definitely recommend. pic.twitter.com/hPYnom4XGV— Michael Thrower Chowdhury (@BevansAdvocate) September 27, 2026
The 'Paperwork Flood': How I Drowned a Bureaucrat before dinner., Sightless Scribbles
A fabulously gay blind author.
Revenge of the Dilettantes
Book club and AI adventures, age of bespokeness, study groups, new rules of engagement
Revenge of the Dilettantes
Book club and AI adventures, age of bespokeness, study groups, new rules of engagement
Robert Hanks · On Putting Things Off
Job gone, I sat around trying to write, managing bits and pieces, but earning very little. And then my marriage drifted away too, leaving me, in Alan Partridge’s phrase, clinically fed-up boo-hoo. My wife, having said she would leave, took two and a half years to find a way of doing it – there is a small consolation in not being the only procrastinator in the relationship. While this was going on the LRB commissioned me to write about Richard Hughes, who wrote A High Wind in Jamaica. I like Hughes and it seemed like a job I could get on with. I cheerfully settled to the research, reading the novels I hadn’t read, rereading the ones I had. Then I started writing, or that’s what I told myself: some paragraphs, some sentences, a sketch of a plan, then some rewriting, rearranging, scrubbing, more rewriting, more scrubbing, pauses to reconsider. Then I did some more research: the short stories, the children’s stories, the poems and plays, the journalism, Richard Perceval Graves’s biography, then back to the rewriting …
