From the creator of the internationally acclaimed singer-songwriter project Girls in Trouble, a memoir following her journey from a secular Jewish childhood to becoming a modern queer woman owning ancient teachings and finding her own meanings in them, refracted through feminist interpretations of the lives of Biblical women.“Alicia Jo Rabins writes as if she’s in conversation with the divine itself. . . .This isn’t merely a book to be read—it’s a scripture for the searching heart, a reminder that the border between the human and the holy is, and always has been, porous.” —Reza Aslan, author of Zealot: The Life and Times of Jesus of NazarethAs a self-described ‘90s suburban high school weirdo, Alicia Jo Rabins spent her time practicing violin and smoking cigarettes behind the mall while secretly dreaming of setting out on a spiritual quest no one around her seemed to understand. She often found herself drawn to the more ritualistic and rigorous Judaism that her parents had abandoned to assimilate and “become American.” In college, a chance meeting led her on a pilgrimage to Jerusalem to study rabbinical texts (and play bluegrass fiddle on the street for cash). But that two years of immersing herself in traditional observance was only the start of a journey full of twists and turns.When We’re Born We Forget Everything follows Alicia’s relentless, often embarrassing, sometimes enlightening search for the sacred in everyday life as she tours America playing with a klezmer-punk band, falls in and out of love, scrapes through the initiations of motherhood, and witnesses the beauty—and danger—of mysticism. Rabins braids this personal narrative with the hidden stories of biblical women, uncovering a path of queer identity, feminist awakening, and spiritual self-invention. This lyrical, searching memoir is a meditation on longing, lineage, and what it takes to find meaning in a fractured world.
Take Your Place: Rhetorical Healing and Black Womanhood in Tyler Perry’s Films
The unparalleled commercial sucessess that gospel-playwright-turned-screenwriter Tyler Perry has attained through converting his stage plays into films that depict black women overcoming personal crises raises questions about the intent behind his seemingly feminist-inspired representations of black womanhood. Through an analysis of the rhetoric of healing in Perry’s first two films, this essay reveals one of the suppressive pedagogical functions of Perry’s representation of black womanhood. Rhetorics of healing are a series of persuasive messages, performances, and literacy acts that writers deploy in order to convince readers that redressing or preventing crises requires them to follow the curriculum for ideological, communicative, and behavioral transformation that the writer considers essential to wellness. In Diary of a Mad Black Woman and Madea’s Family Reunion, Perry’s representation of rhetorical healing constructs black Christian women as students who must learn prescribed attitudes and behaviors to achieve, or remain in, states of wellness, and these lessons reinforce conservative gender ideologies and reify patriarchal constructions of the family and home. Given black women’s historically tenuous relationships with representations of themselves and their families in mainstream film, and given the ways in which their labor in the home is simultaneously desired and exploited, the popularity of Perry’s films does not suggest that his representations of healing foster black women’s self-empowerment. Rather, his popularity points to a moment where black women’s pain is a commodity and their instructive journeys to wellness are an exploited site where writers can carry out their own agendas.
“This Is A Bigger Deal Than Jesus”: The Return of Grimes
After a decade of putting out self-produced art pop that made her one of music’s most singular figures, she abruptly left the industry amid personal life chaos. Now she's back with a new album, and, as she tells sci-fi author Nnedi Okorafor, a little AI psychosis.
There Is Nothing So Whole as a Broken Heart
By Cindy Milstein Published by AK Press, 2021 392 pages, paperback The contemporary renewal of Jewish anarchism draws on a history of enslavement, displacement, white supremacy, and genocide as well as ancestral resistance, strength, imagination, and humor—wisdom that is sorely needed today. Through stories at once poetic and poignant, There Is Nothing So Whole as a Broken Heart offers a powerful elixir for all who rebel against systemic violence and injustice. The contemporary renewal of Jewish anarchism draws on a history of suffering, ranging from enslavement and displacement to white nationalism and genocide. Yet it also pulls from ancestral resistance, strength, imagination, and humor—all qualities, and wisdom, sorely needed today. These essays, many written from feminist and queer perspectives, journey into past and contemporary trauma in ways that are humanizing and healing. They build bridges from bittersweet grief to rebellion and joy. And via concrete illustrations of how Jewish anarchists lovingly transform their own ritual, cultural, and political practices, they clearly illuminate the path toward mending ourselves and the world. Praise for There Is Nothing So Whole as a Broken Heart... "There Is Nothing So Whole as a Broken Heart is a breathtaking kaddish to everyone living the revolutionary vision that Jewish radicals dreamed was possible. It drives to the heart of a tradition that we must rediscover, a story that is simultaneously particular and universal: we can survive if we do it together." —Shane Burley, author of Why We Fight: Essays on Fascism, Resistance, and Surviving the Apocalypse "In this moment of resurgent fascism and authoritarianism, the foundational relationship between antisemitism and anti-Blackness is more stark and apparent than ever. The vibrancy of this collection articulates not only a foundation for solidarity in shared struggles against white supremacy but also the vast imaginaries and world-making potential in the diversity of Jewish cultural expression and radical—specifically anarchist—thought. As a Black anarchist, I could not be more grateful for the generosity, vulnerabilities, and fierce, unwavering love for humanity shared within these pages." —Zoé Samudzi, coauthor of As Black as Resistance: Finding the Conditions for Liberation “The texts collected here are striking in their literary richness and emotional openness, awakening both pain and solace, insights and further questions . . . A highly rewarding reading experience that will appeal well beyond the Jewishanarchist intersection.” —Uri Gordon, co-editor of The Routledge Handbook of Radical Politics "There Is Nothing So Whole as a Broken Heart offers an ardent new archive of Jewish anarchism. These voices expand a defiant tradition: they speak of the disruptiveness of care, the labor of grief, and the pleasures of survival. As fascism and antisemitism rise, these poets, rabbis, and organizers urgently reach for another world through this one." —AE Torres, author of Horizons Blossom, Borders Vanish: Anarchism and Yiddish Literature "This book asks how modern generations of Jewish anarchists are wrestling with rising fascism, white supremacy, and antisemitism, and lifts up the specific cultural tools we bring to the work of mending (or maybe reimagining) the ever-shattering world. Today the book is a mirror; tomorrow, a new window into the archive of Jewish anarchists throughout history." —Ezra Berkley Nepon, author of Justice, Justice Shall You Pursue: A History of New Jewish Agenda "As leftist Jewish thought and organizing today witnesses a resurgence, this collection provides an important document of its anarchist current." —Treyf Podcast “A poem and a love note, a prayer song and a protest, an attempt to mend a burning world with the best of Jewish, anarchist, and Jewish anarchist traditions.” —Dan Berger, author of Captive Nation: Black Prison Organizing in the Civil Rights Era "There is Nothing So Whole as a Broken Heart is a powerful celebration of ritual—both Jewish and anarchist."—Gabriel Moshenska for Jewish Socialist
Life Forms with Music: On Susie Ibarra — United States Artists
Anne Ishii on Susie Ibarra's impactful practice
Careless People: A Cautionary Tale of Power, Greed, and…
An explosive memoir charting one woman’s career at the …
Education must make History Again - [ Perspectiva ]
Zachary Stein on John Amos Comenius forgotten genius and why it matters for our times
Jesus of Nazareth
A new 'life' of Jesus written by one of the outstanding scholars of his generation, it offers a complete resource on the 'Historical Jesus' debate. With an over…
The End of Textuality - Real Housewives of San Francisco
Authenticity in the age of GenAI
The End of Textuality - Real Housewives of San Francisco
Authenticity in the age of GenAI
Culture & truth : the remaking of social analysis
xii, 253 pages ; 22 cm; Argues for a new approach to thinking and writing about culture. Exposing old conceptions, the book argues that new ethnographic writing must come to terms with the dynamic nature of social reality - with history, spontaneity, and human emotions; Originally published: Boston: Beacon, 1989; Includes index; Self-Renewing 2017; Includes index
“Denying America”: Vivian's Counterstory of Undocumented Status
Abstract. This article provides a counterstory of a formerly undocumented Latina student's experiences navigating school and music education in the United States. Using tenets of undocumented critical theory (UndocuCrit) and counter-storytelling, I share Vivian's journey through secondary and postsecondary education as she encountered systemic barriers in pursuit of a career in music education. Vivian's narrative revealed institutional hindrances that disrupted access to music education at both secondary and postsecondary levels. Notably, shifting policies, misinformation, limited access to funding, and issues with immigration documents interfered with Vivian's aspirations of becoming a certified, full-time music educator. Unwavering familial support and legal assistance from a skilled attorney aided her pursuit of higher education. Eventually, Vivian fashioned a new path in a different field of study and now uses her experiential knowledge to assist others who are undocumented. Possibilities for working with undocumented immigrant students and families are discussed in light of fluid immigration policies and the ongoing sociopolitical climate.
The Word of Life A Theology of Johns Gospel (Craig R. Koester) (z-lib.org).pdf
A Community Performance of "A Mother of A Revolution" - Watertown, Wisconsin
With Freedom in Our Ears
Contributors bring to light the presence and persistence of Jewish anarchism throughout histories of radical labor, women's studies, political theory, multilingual literature, and ethnic studies.
Things Hidden Since the Foundations of the World by René Girard | Notes & Summary
“I will open My mouth in parables; I will utter things hidden since the foundation of the world.” (Matthew 13:35)
In the wake: on Blackness and being
In this original and trenchant work, Christina Sharpe i…
