







Is America a dream or a nightmare, a democratic paradise or a bastion of white supremacy and religious intolerance? Is...
Hell/a Mexican — Oakland Public Library
Hell/a Mexican — Madrigal Galindo, Kevin, — "Hell/a Mexican is an appreciation of the tragicomedy that is existing on American soil with foreign roots. These stories shed light on the boundless experience of living and learning through your identity. This collection, much like us, reaches for hope: sometimes we find it, sometimes we don't."--Back cover.
The American Dream Starts Now
Trump Accounts provide eligible American children with tax-advantaged investment accounts courtesy of President Donald J. Trump.

Radical Liberalism, Pragmatism, and Me - Aricie's thoughts
Telescoping Ambition
All men dream: but not equally. Those who dream by night in the dusty recesses of their minds wake up in the day to find it was vanity, but the dreamers of the day are dangerous men, for they may act their dreams with open eyes, to make it possible. - T.E Lawrence, The Seven Pillars of Wisdom

Foreign Man in a Foreign Land — The Rise of Homonationalism
Gay Coonservatives are Black & Queer folk who throw their respective communities into the fire to feel some warmth. In this video, We explore the concept of strategic disavowal, Black American exceptionalism, Transmedicalism & more.
Native Land Pod
America, América: a new history of the New World
"The story of how the United States' identity was formed is almost invariably told by looking east to Europe. But as Greg Grandin vividly demonstrates, the nation's unique sense of itself was in fact forged facing south-no less than Latin America's was indelibly stamped by the looming colossus to the north. In this stunningly original reinterpretation of the New World Grandin reveals how North and South emerged from a constant, turbulent engagement with each other. America, América traverses half a millennium, from the Spanish Conquest-the greatest mortality event in human history-through the eighteenth-century wars for independence, the Monroe Doctrine, the coups and revolutions of the twentieth century, and beyond. Grandin shows, among other things, how royalist Spanish America, by sending troops and supplies, helped save the republican American Revolution; how in response to U.S. interventions, Latin Americans remade the rules, leading directly to the founding of the United Nations; and how the Good Neighbor Policy allowed FDR to assume the moral authority to lead the fight against world fascism. Grandin's book sheds new light on well-known historical figures like Bartolomé de las Casas, Simón Bolívar, and Woodrow Wilson, as well as lesser-known actors such as the Venezuelan Francisco de Miranda, who almost lost his head in the French Revolution and conspired with Alexander Hamilton to free America from Spain; the Colombian Jorge Gaitán, whose unsolved murder inaugurated the rise of Cold War political terror, death squads, and disappearances; and the radical journalist Ernest Gruening, who in championing non-interventionism in Latin America, helped broker the most spectacularly successful policy reversal in United State history. This is a monumental work of scholarship that will fundamentally change the way we think of slavery and racism, the rise of universal humanism, and the role of social democracy in staving off extremism. At once comprehensive and accessible, America, América shows that centuries of bloodshed and diplomacy not only helped shape the political identities of the United States and Latin America but also the laws, institutions, and ideals that govern the modern world. A culmination of a decades-long engagement with hemispheric history, drawing on a vast array of sources, and told with authority and flair, this is a genuinely new history of the New World"-- Provided by publisher

Neoliberal Fascism as the Endpoint of Casino Capitalism
This article explores neoliberal fascism as a distinctive political formation within the current historical moment. In doing so, it first analyzes neoliberalism as a project that has since the 1970s destroyed all the commanding institutions of democracy while consolidating power in the hands of a financial elite. In addition, it analyzes neoliberalism as a movement, that produces and legitimates massive economic inequality and suffering, privatizes public goods, dismantles essential government agencies, and individualizes all social problems. Under such circumstances, neoliberalism creates the conditions for right wing extremists to mobilize the anger of white disenfranchised working class populations by both appealing to the economic injustices they experience while simultaneously blaming and directing their frustrations towards non-white minority groups such as immigrants, blacks, and Muslims. It is precisely this merging of the social, political, and economic hardships produced by neoliberal capitalism and its appropriation of the discourse of white supremacy to divert attention from its worst excesses and failures that a neoliberal fascism is produced. Â More specifically, I argue that in the face of 40 years of neoliberalism with its production of massive inequality, a frontal attack on the welfare state, and the erosion of civic institutions and culture, there has been a resurgence of fascist discourses and a populist fascist political movement. Neoliberal fascism represents the conjoining of the most extreme elements of casino capitalism with the discourses of racial cleansing, and white nationalism. The article concludes by examining how atomization, fear, and anxiety have become the breeding grounds of fascism and what it means to revive education as a central tenet of politics so as to address the task of not simply resisting oppressive economic structures, but also what it means to engage in the massive challenge of changing individual and collective consciousness as a precondition for collective struggle and the building of new social movements. Author Biography Henry Giroux, McMaster University Chair for Scholarship in the Public Interest The Paulo Freire Distinguished Scholar in Critical Pedagogy
Episode 5: Metaphors for AI, with Shannon Vallor
This week, Adam talks with Shannon Vallor, a philosopher of AI, about the metaphors we use to talk about AI and ourselves. They also dunk on libertarians and San Francisco billboards, and consider what kind of hope we can have for the future of technology.Messages: • Support the show at patreon.com/DreamingAgainstTheMachine • Follow us on Bluesky and Instagram • Subscribe to the show wherever you get your podcasts! • Check out other great podcasts from Multitude like Wow if TrueAbout the show:Dreaming Against the Machine is a podcast about envisioning a realistic and hopeful future. Each week, the show’s host, journalist and astrophysicist Dr. Adam Becker, will have an earnest (and entertaining!) conversation with a guest about possible futures, seen through the lenses of history, science, and culture. In a world where tech oligarchs and their power fantasies are driving visions of the future, Dreaming Against the Machine aims to take back the terms of the public conversation about what our world can and should be.

In the Country of My Dreams-- — Oakland Public Library
In the Country of My Dreams-- — Abinader, Elmaz
1% for the People
Capitalism is the undisputed powerplant of global prosperity. Since Adam Smith first described the “invisible hand” that allows economies to be efficiently self-organizing and self-renewing, every attempt to supplant it with a competing system has failed spectacularly.
Pluralistic: No one wants to read your AI slop (02 Mar 2026) – Pluralistic: Daily links from Cory Doctorow
Everyone knows (or should know) that as fascinating as your dreams are to you, they are eye-glazingly dull to everyone else. Perhaps you have a friend or two who will tolerate you recounting your dreams at them (treasure those friends), but you should never, ever presume that other people want to hear about your dreams.
Masculist pushback: the threatened extinction of the great, white Judeo-Christian male
A political ideology rooted in fear is remaking the world in its own image and dragging us with it

Odysseus at the End of Civilization
Nolan’s film confronts the betrayal of the West’s own values.

NYC in 1880 (!) '[Martí] recoiled at the mix of commercial materialism and libertarian individualism that he thought was driving the United States toward madness. A nation is not a “wild horse race”; people must be “harnessed together” by something other than self-interest' (from America, América)