You will die, and Fallout doesn't give a shit
Fallout 4 review
Fallout 4 is too big for me to tell you even a fraction of all there is to say about it. Its user interface is often too opaque, and at times Fallout 4 has some of the same technical issues as Bethesda's previous games, from strange AI quirks to performance hitches and actual hard locks of the software. It's frequently unforgiving. And occasionally, despite a next-gen visual overhaul, its human characters still look a little terrifying. I'm not nearly as big a fan of the Diamond City radio DJ as I was of Three Dog in Fallout 3. And all of that matters just enough for me to feel obligated to say it before I explain how, after more than 60 hours of Fallout 4 in seven days, the only thing stopping me from going back into it is taking this time, right now, to tell you about the game. Fallout 4's Skills and abilities are considerably streamlinedLike every Fallout game, Fallout 4 places you in the shoes of a fish out of water, thrown into the wasteland remains of a nuclear post-apocalypse. Before the bombs fell, some citizens were able to find shelter within the Vaults, massive, hyper-advanced underground cities designed to withstand the end of the world. You play as a survivor from Vault 111, who, through circumstances I should best leave unelaborated, finds himself transported 200 years into the future and separated from his family. Ostensibly, Fallout 4 is an RPG — those familiar with the genre will immediately comprehend the game's SPECIAL system, which stands for Strength, Perception, Endurance, Charisma, Intelligence, Agility and Luck. While this is lifted directly from previous Fallout games, Fallout 4 is considerably streamlined in the way that the player character's abilities are managed. Each SPECIAL ability has 10 skills attached to it, and each skill requires a progressively higher rank in that ability to unlock. When you level up, you have a single point, which you can use to unlock an available skill, or to increase one of your SPECIALs. Granted, the change is initially intimidating — available perks and SPECIAL skills are shown together on a giant poster, listing every perk available on a grid.
» The CRPG Renaissance, Part 1: Fallout The Digital Antiquarian
This early advertisement for Fallout makes a not-so-subtle dig at gaming’s then-current flavor of the month, the highly streamlined — or, in the view of some, dumbed-down — CRPG Diablo.
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» The CRPG Renaissance, Part 5: Fallout 2 and Baldur’s Gate The Digital Antiquarian
As we learned in the earlier articles in this series, Interplay celebrated the Christmas of 1997 with two new CRPGs. One of them, the striking post-apocalyptic exercise called Fallout, was greeted with largely rave reviews. The other, of course, was the far less well-received licensed Dungeons & Dragons game called Descent to Undermountain. The company intended to repeat the pattern in 1998, with another Fallout and another Dungeons & Dragons game. This time, however, the public’s reception of the two efforts would be nearly the polar opposite of last time.
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