







We Need To Stop Calling Entertainers ‘Artists’
Expert in building reliable digital platforms and leading high-impact technical teams. 20+ years experience at the intersection of technology, teams, and learning.
"Last night I got an email from someone who said 'I'm 46, is it okay to start producing music?' I said 'yes, start now!'": How a 67-year-old pensioner went viral performing industrial techno at home
What started as a post-retirement hobby has led The Last DJ to runaway success and his first gig in 40 years. Now he's on a mission to inspire others to do the same

DJs
I am a Seattle native, raised by some pretty hip parents who had me listening to everything from Dead Can Dance to Queen Latifah. I’ve been furiously putting together playlists and mixtapes since I was old enough to open cassettes and record songs off the radio. My journey with KEXP started in 2006, as a DJ assistant to Michele Myers on Friday nights, and I continued working off and on with her, and in events, on pledge drives and more for the next seven years. In 2014, I stepped behind the mic for my first show on air as a DJ and fell right in love with live radio and music curation, and the connection with listeners across the world. These days I am your Drive Time host, every Tuesday-Friday, from 4-7 PM Pacific time. Expect to hear some of my all-time favorites in the mix, from Daft Punk to Japanese Breakfast, and Dan the Automator’s many projects. And tons of new music, too! Every time I’m on air I make it a point to dig deep for music I’ve never heard or played, to make sure I’m always finding and sharing something new. KEXP is such a special part of our global music community – I’m honored to have the opportunity to go on air and curate your soundtrack. I also love getting to know KEXP listeners, so feel free to reach out with requests or hello’s via @djeviestokes on Instagram. Have a music submission? Please send it to evie@kexp.org.
How AI Will Fail Like The Music Industry
‘This Is Not Me’: Inside the AI Scams Driving Musicians Crazy
Indie artists are constantly finding AI-generated slop and direct impersonations on their streaming pages, and it's only getting worse.

Forget Hustle Culture. Behold the Artist Corporation | Yancey Strickler | TED
I Am Retiring from Tech to Live Offline
AI took the last of the wind out of my Open Source sails. I wish you all the best!

Notes on going solo: celebrating 6 years of Studio Self
Since roughly // broadly 2020, I’ve been running a solo-powered minor empire. I have no employees, and my only office is my home office…
Unstream - Support Artists Directly
Search any artist. See where your money actually goes. Unstream shows artist payout percentages across 15+ platforms. Free and open source.


Fandom as an Alternative Network
Reflections on a decade of coding
I've been programming professionally for about 12 years. Here are some of the things I worked on in the last 2 years.
Without a true advocate, the majors will simply continue *adapting* to technological shifts rather than lead them (and drag their artists along for the ride) My goal is to change that Join our waitlist and help us decentralize music streaming with the power of ATprotocol tracklist.diy
tracklist:// — the world is listening
tracklist.diyThe Verge
Universal Music signs a new AI deal with Nvidia
How to do music streaming right in the Atmosphere? This weekend I propose a lexicon that brings the music industry and atproto builders together: artists and labels can upload music with all the metadata needed for the whole monetization chain hilkeu.leaflet.pub/3mhzj3ouxx22k @atprotocol.dev
Announcing indiemusi.ch alpha: the groundwork for music streaming on atproto - hilke thinks
hilkeu.leaflet.pubAnother creator workshop! All things monetization. Talking about @sprk.so and the Atmosphere with creators well versed with making a career in social media. sprk.so/post/did:plc:qed67d2sst5xqsbu…
Another creator workshop! All things monetization. Talking about @s... | Spark
sprk.so340 votes, 335 comments. I’m struggling to process a massive disconnect and need some perspective from other career artists. I’ve been in the…