Something I started noticing is that while stable institutions build on top of those things that last, the very top level of those ideals are often things which seem fleeting but point beyond themselves.A civilization does not stand on flowers, but crowns itself in them. https://t.co/HdooOEMs6X— Sᴜɴʀɪsᴇ Oᴀᴛʜ 十 Tʜᴇ Sʏʟʟᴀʙᴜꜱ (ORI) - CC0 (@sunriseoath) November 8, 2025
关于INS
2015年，因应艺术教育的趋势，中国美术学院(CAA)下的跨媒体艺术学院（SIMA）重组为三个系五个研究所，朝跨领域與跨学科迈出。三个系以教學为基础，兼具新艺术（实验艺术系），跨艺术（媒介展览系）与后艺术（开放媒体系），五个研究所则以教授专业连动国内外学术研究创新思潮。网络社会研究乃由此新生，由国际教学队伍组成，目的是以“互联网＋”时代的社会变革、社会互动和社会控制为思考背景，推动互联网环境…
東京都健康安全研究センター » 化粧品基準及び安全対策関係通知
医薬品医療機器等法第42条第2項の規定に基づき、化粧品基準を次のように定め、平成13年4月1日から適用し、化粧品品質基準（昭和42年8月 厚生省告示第321号）及び化粧品原料基準（昭和42年8月厚生省告示第322号）は、平成13年3月31日限り廃止する。 平成12年9月29日 厚生省告示第331号 PDF（令和6年7月12日改正版）
Grow like Trees: An Organic Approach to Societal Regrowth
2026 is the year that system breakdown became impossible to deny. Democratic norms, societal norms, rule of law, the fabric of the social contract tearing as we watch. Or hide, unwilling or unable to face the unravelling. The hopeful among us see opportunity through the dark. Tentatively or boldly we
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Dami Lee on Instagram: "What holds up a society? This art piece in Korea stopped me cold, and I haven’t stopped thinking about it since. 180,000 tiny figures. Arms raised. A glass floor you’re meant to walk on. The artist is Do Ho Suh, and the question he’s asking feels more urgent than ever right now: is it the collective that holds everything up, or the individual? Because both stories have produced extraordinary things. Korea’s GDP per capita in the 1960s was lower than Sudan’s. Sixty years later, it’s the twelfth largest economy in the world. Built on coordination, sacrifice, twelve-hour days, families who gave everything for the next generation. And then there’s the Western story. The entrepreneur. The innovator. The one who puts a car in space but somehow can’t build affordable housing or a high-speed rail. As the world order gets reshaped in real time, I keep coming back to this floor. Who’s actually holding it up? And does the person walking on it ever think to look down? Tell me what you think in the comments. #DoHoSuh #KoreaArt #ContemporaryArt #PublicArt #SeoulArt"
14K likes, 59 comments - damileearch on June 11, 2026: "What holds up a society? This art piece in Korea stopped me cold, and I haven’t stopped thinking about it since. 180,000 tiny figures. Arms raised. A glass floor you’re meant to walk on. The artist is Do Ho Suh, and the question he’s asking feels more urgent than ever right now: is it the collective that holds everything up, or the individual? Because both stories have produced extraordinary things. Korea’s GDP per capita in the 1960s was lower than Sudan’s. Sixty years later, it’s the twelfth largest economy in the world. Built on coordination, sacrifice, twelve-hour days, families who gave everything for the next generation. And then there’s the Western story. The entrepreneur. The innovator. The one who puts a car in space but somehow can’t build affordable housing or a high-speed rail. As the world order gets reshaped in real time, I keep coming back to this floor. Who’s actually holding it up? And does the person walking on it ever think to look down? Tell me what you think in the comments. #DoHoSuh #KoreaArt #ContemporaryArt #PublicArt #SeoulArt".
昭和映画あからさま広告の世界 | 東京ポチ袋
1960年代の日本映画では、登場人物に商品名を言わせ、短い物撮りを入れるという、ステマとは正反対のあからさまな広告がよく入っていました。見つけ次第報告していきます。 ハウスバーモントカレー（1969） 和泉雅子「照れちゃうなあ、実はねえ、こ
The Rime of the Ancient Maintainer
Every culture produces heroes that reflect its deepest anxieties. The Greeks, terrified of both mortality and immortality, gave us Achilles. The Victorians, haunted by social mobility, gave us the self-made industrialist. And Silicon Valley, drunk on exponential curves and both terrified and entranced by endless funding rounds, has given us
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狙った個性にろくなものはない 「永遠の0」山崎貴監督の現場拝見2 | NIKKEIリスキリング
百田尚樹氏のベストセラー小説「永遠の0」を監督した山崎貴さんに映画制作のツボを聞くインタビューの第2回は作品の「個性」について。意図して出そうとした個性にろくなものはない、と話す。（聞き手は日経BP社 デジタル編集センター編集委員 大谷真…
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The Origin and Future of Economic Inequality
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TRIBUNE. Un collectif rassemblant des écrivains, des élus, ainsi que des scientifiques, dont le sénateur Alexandre Basquin, les écrivains Annie Ernaux et Abel Quentin, dénonce, dans une tribune au « Monde », le développement effréné des mégacentres de données et appelle au boycott des intelligences artificielles génératives « grand public ».
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Folk Tech – tech for life