Sequoia

Publish evergreen to the ATmosphere

Evergreen notes

Evergreen notes are written and organized to evolve, contribute, and accumulate over time, across projects. This is an unusual way to think about writing notes: Most people take only transient notes .NoteLink.Active { background-color: rgba(10, 132, 255, 0.15); } . That’s because these practices aren’t about writing notes; they’re about effectively developing insight: “Better note-taking” misses the point; what matters is “better thinking” .NoteLink.Active { background-color: rgba(10, 132, 255, 0.15); } . When done well, these notes can be quite valuable: Evergreen note-writing as fundamental unit of knowledge work .NoteLink.Active { background-color: rgba(10, 132, 255, 0.15); } .

Evergreen note-writing helps insight accumulate

Much of the day-to-day thinking involved in creative work is simply lost, like sand castles in the tide. Ephemerality can actually be useful in low-fidelity thought, but it’s simply an accidental property in many cases. We should do our serious thinking in the form of Evergreen notes .NoteLink.Active { background-color: rgba(10, 132, 255, 0.15); } so that the thinking accumulates.

Toward a durable writing stack – Writings and rehearsals by Nathan Schneider

I have benefited over the years from others who have documented their writing setups, and so I feel some obligation to pay the favor forward by doing so with my own. The stack I’ll describe here is one I’ve been iterating on for about twenty years, starting from when I began discovering the pleasures of plain-text writing. Every aspect of it has changed over that period, but the some basic goals and flows have been with me through the writing of my college thesis, five books, and hundreds of articles. I am quite happy with where I am, and others might benefit from what I’ve come up with.

On Writing #3

Periodically I like to gather various observations about writing, and share my perspective.

arbourtrary

Trying out a few concepts. Writing about nature, tech, poetry, mathematics. Providing safe arbour in a darkening forest.

Geoffrey Litt

Here’s a very incomplete list of people whose work I’ve found inspirational. If your taste is similar to mine, maybe you’ll get some inspiration from their work too.

13 books by Sadhguru that should be in your reading list – Himalayan Lust to Eternal Echoes

From self-realization to food, yoga to poetry, and relationships, Sadhguru offers something for every kind of book reader.

An untitled post from Mar 2011

Posted on Thursday 17 Mar 2011. 1,130 words, 10 links. By Matt Webb.

Page 4: POW+TREE Writing Strategy

As Ms. Lin reflects on the trouble her students are having with writing, she realizes that many of her students need help incorporating the four elements of the writing process (i.e., planning, organizing, writing, and editing and revising) into their essays. She concludes that they need a guide or strategy to follow as they write.[.....]

Finding the Mother Tree by Suzanne Simard

The upcoming book from Suzanne Simard, the world’s leading forest ecologist who forever changed how people view trees and their connections to one another.

That Winter the Wolf Came — Oakland Public Library

That Winter the Wolf Came — Spahr, Juliana — <p>That Winter the Wolf Came is written for this era of global struggle. It finds its ferment at the intersection of ecological and economic catastrophe. Its feminist and celebratory energy is fueled by street protests and their shattered windows. Amid oil spills and austerity measures and shore birds and a child holding its mother’s hand and hissing teargas canisters, it reminds us exactly what we must fight to defend with a wild ferocity, and what we’re up against.</p><br /><p>&#34;In her poems, love does not resist the world beyond; love lets it in. Politics demands feeling rather than denuding it.&#34; —<i>Los Angeles Review of Books</i></p><p>&#34;Geography, economics, ecology, hydrology, local and international history; repetition, flat limited diction, lengthy chant; intersections of incompatible discourses, such as a field biologist’s checklist plus memoir, medical record plus ode, incantation plus site report: Spahr draws on these resources and procedures to make poems that feel like bizarre, careful essays, and essays that feel like sad, extended poems.&#34; —<i>The Nation</i></p><p>&#34;...a work of crisp wit, bizarre conjunctions and ultimately enduring moral authority.&#34; —<i>Publisher’s Weekly</i></p><br /><br />Excerpt:<br /><br /> It was Non-Revolution. Or it was me. Or it was Non-Revolution and me. I was unsure what it really was. Maybe it was my thoughts. My thoughts at one minute about Non-Revolution. About the smell of Non-Revolution. Sweat, urine, sage, pot, rotting food, hay, all mixed together. Perhaps about Non-Revolution’s body. I am sure I am not the only one who has thought it exceptional, but I am also just as sure that by the standards of bodies, Non-Revolution’s is fine but not exceptional. That is the point. That is why Non-Revolution is called Non-Revolution, why they have revolution as a possibility in their name but it is a modified and thus negated possibility so as to suggest they are possibly neither good nor fucked. Still something about Non-Revolution’s smell and body had gotten into me.<br /><br/>Renewed poetry of struggle at the intersection of ecological and economic catastrophe—feminist, ferocious, and finally celebratory.<br />